There is much debate on the value of the arts and humanities in our society. Each side provides strong arguments, but there has been little empirical research to draw on. A key reason for the lack of scientific evidence is the absence of a conceptual model on which to base investigations of the ways the arts and the humanities might contribute to human flourishing. To address this, we present a model to demarcate the domain of the arts and humanities by means of an extensional definition (e.g. majors, disciplines, and occupations) integrated with a functional analysis (i.e. modes of engagement and activities of involvement). We suggest immersion, embeddedness, socialisation, and reflectiveness as mechanisms by which the arts and humanities may enhance various forms of human flourishing. We conclude with implications of the model and ideas for future research to investigate the effects of the arts and humanities on human flourishing.

Positive psychology approaches have been shown to play a vital role in protecting mental health in times of challenge and are, therefore, important to include when studying the psychological outcomes of COVID-19. While existing research has focused on individual psychological health, this paper focuses on collective wellbeing and collective posttraumatic growth, with the aim of more clearly identifying the positive experiences and potential for positive growth for key institutions in our society during the pandemic. A range of positive psychology interventions for families, schools, workplaces, and clinical psychology are presented. The paper then considers how three broad-reaching phenomena existing in our wider society (i.e., arts and culture, eco-connection, and wellbeing literacy) can be used to boost collective wellbeing. A positive systems approach to understand civilian responses to the pandemic together with an examination of the role that positive psychology can play in supporting marginalized groups are also discussed.

Positive psychology has made a remarkable impact on psychological research and practice in recent years. Significant further work is needed, however, to clarify its core concepts. In a two-part project, the author presents the first systematic analysis of the most basic concept in positive psychology: the ‘positive’. Part I consists of a descriptive analysis. Based on a close reading of founding documents in positive psychology, this analysis reveals six discrete meanings of the positive in these texts, then probes the considerable tensions that arise within and among them and lead to unfortunate confusions in theory, research, and practice. In Part II, presented here, the author draws various distinctions to help relieve these tensions and offers a normative definition of the positive, with the goals of providing direction for inquiry and practice and encouraging further analysis of this and other basic concepts in positive psychology.

Positive psychology has made a remarkable impact on psychological research and practice in recent years. Significant further work is needed, however, to clarify its core concepts. In a two-part project, the author presents the first systematic analysis of the most basic concept in positive psychology: the ‘positive’. Part I, presented here, consists of a descriptive analysis. Based on a close reading of founding documents in positive psychology, this analysis reveals six discrete meanings of the positive in these texts, then probes the considerable tensions that arise within and among them and lead to unfortunate confusions in theory, research, and practice. In Part II, the author draws various distinctions to help relieve these tensions and offers a normative definition of the positive, with the goals of providing direction for inquiry and practice and encouraging further analysis of this and other basic concepts in positive psychology.

Visiting art museums is a common activity that a wide variety of people choose to engage in for many reasons. Increasingly, communities, nations, and societies are turning to art museums as institutions to enhance flourishing (i.e., reducing ill-being factors, such as depression, and increasing well-being factors, such as feelings of belonging). In this paper, we review the psychological literature examining art museum visitation and museum program participation and their associations with flourishing-related outcomes. The literature suggests art museum visitation is associated with reductions in ill-being outcomes and increases in well-being outcomes. Additionally, programs targeting flourishing outcomes in clinical or at-risk populations (e.g. people living with dementia, older adults) show benefits to participants, with visits to art museums being socially prescribed across the globe to address a variety of ill-being conditions. Implications for existing knowledge and avenues for future research are discussed.

Concepts like flourishing, well-being, health, and happiness are of increasing interest across many fields, from psychology and medicine to politics and economics. However, these terms are used in diverse and contested ways, which makes it hard to find common ground and understanding. To attempt to help remedy the confusion, this paper offers an overarching conceptual “map” within which these concepts can be situated, thereby providing a common language and framework for their consideration. Moreover, while the overall configuration of this map is conceptually and logically stable, its specific elements are more flexible, particularly in terms of scalable granularity (allowing fine-grained differentiation of internal regions) and epistemological openness (allowing revisions in light of gains in knowledge). As such, the map can be adapted to suit different fields, and updated to accommodate advances in understanding. To that end, we clarify topics of investigation that are still in need of development, providing a roadmap for future research.