Religious panel paintings (icons) play a pivotal role in the rituals of the Eastern Orthodox Christian Church. However, their continuous use often results in physical degradation, prompting remedial interventions. Quite commonly, alterations were treated by simply applying new paint layers directly over the decayed original, while in some cases, old icons were overpainted merely as a means to renovate and modernize them. Therefore, numerous overpainted icons are currently housed in churches, museums, and private collections across Greece. This study focuses on the investigation of a post-Byzantine icon of Christ Pantokrator, which displays extensive overpainting while retaining a few visible fragments of the original composition. The objective was to assess the extent and condition of preservation of the original artwork, to identify materials and techniques used both in the initial painting and in subsequent restoration phases, and to distinguish between those phases. To achieve these aims, a fully non-invasive diagnostic methodology was implemented, including visible light photography, ultraviolet radiation imaging (UVR/UVL), hyperspectral imaging (MuSIS HS), infrared reflectography (IRRef), X-ray radiography, and macroscopic X-ray fluorescence scanning (MA-XRF). The findings confirm that the original painting remains substantially preserved and is of high artistic quality. Moreover, analysis revealed at least two distinct phases of overpainting, likely dating from the 20th century, while the results suggest that the original artwork probably dates to the first half of the 18th century. The study highlights the need to use complementary techniques in order to non-invasively assess complex artifacts like overpainted icons and offers valuable insights into historical restoration practices providing foundation for future conservation planning.

The paper contributes new information about the Horologion of Andronikos Kyrristos of the Roman Agora of Athens, Greece and its continuous presence in Athens from antiquity until now. The monument is of cultural, historical and astronomical importance. It has undergone conservation work and non-destructive documentation which contribute to its sustainability. The spectral imaging technique, which allows the acquisition of high-resolution images, was applied on the stone surfaces of the monument. The acquisition of images in the visible and infrared regions, combined with the digital tracing reproduction of the graffiti and image processing, is used for the first time in this particularly interesting case study of the aforementioned monument, of which a complete description is provided. New evidence with a clearer recording of the vessels already mentioned in the literature, as well as the detection of new historical data and graffiti, is discussed in comparison with the results of previous studies.

Packaging materials made from polypropylene (PP) can be used to protect cultural heritage objects from damage ensuring their long-life preservation. This research work concerns the assessment of recycled polypropylene hollow chamber sheets as potential packaging materials for archival collections and cultural heritage objects. It was carried out through a multidisciplinary diagnostic methodology combining mechanical methods, non-destructive imaging techniques in visible light (VIS), and ultraviolet-induced visible luminescence (UVL), as well as handheld digital microscopy, colorimetry, glossimetry, and SEM microanalysis. The results showed that the condition and mechanical performance of the specimens are affected by the ageing process.

This paper focuses on the study of the famous royal purple dye. It aims to present a holistic approach by researching historical evidence, both for its use and its production, to highlight the importance of the dye within the Greek area. As a substantial part of information concerning the dyeing procedure of purple dye has been lost during the ages, it is crucial to establish points of documentation and identification. The latter can be achieved through chemical analysis, but as this dye is found on precious’s cultural heritage items, which cannot always be sampled, a non-destructive approach should be considered as more appropriate. At first, the history of the dye purple is presented within the Greek area. Then, samples of purple dye are created based on traditional recipes from the Greek area, in order to compose a profile with the characteristics of purple using non-destructive and imaging techniques, thus emphasizing the importance of applying these techniques for the study of dyes on textiles. The results of the experiments show differences in behavior between the pure gland and the dyed samples, as well as the intensity of the color depending on the dyeing procedure.