Carolina holds a BSc (2019) and an Msc (2022) in Conservation and Restoration from the NOVA School of Science and Technology. Her master thesis was conducted within the framework of two FCT-financed projects, "Plastic Paints in Art: the impact of manufacturing processes on their long term stability" (IF/00653/2015/CP1293/CT0005) and "CleanArt - Innovative methodology to clean fungal stains from paper documents and artworks"(PTDC/EPH-PAT/0224/2014). This work allowed her to study the ageing of recent vinyl acetate-based emulsions and to experiment with innovative cleaning strategies for paintings on paper. In 2021, she became a team member for the "PlasCO2 - Green CO2 Technologies for the Cleaning of Plastics in Museums and Heritage Collections" (PTDC/ART-OUT/29692/2017) project, where she worked as a research scholar.She has also worked as an art conservator for a private company where she coordinated the restoration of polychrome sculptures. She has an interest in the documentation of art and in the development of new green cleaning methods coupled with sustainable practices in art conservation. Recently, she has been awarded a PhD grant (M3.1.a/F/022/2023 ) to study the polychromy of Azorean Modern Sculptures.
Carolina holds a BSc (2019) and an Msc (2022) in Conservation and Restoration from the NOVA School of Science and Technology. Her master thesis was conducted within the framework of two FCT-financed projects, "Plastic Paints in Art: the impact of manufacturing processes on their long term stability" (IF/00653/2015/CP1293/CT0005) and "CleanArt - Innovative methodology to clean fungal stains from paper documents and artworks"(PTDC/EPH-PAT/0224/2014). This work allowed her to study the ageing of recent vinyl acetate-based emulsions and to experiment with innovative cleaning strategies for paintings on paper. In 2021, she became a team member for the "PlasCO2 - Green CO2 Technologies for the Cleaning of Plastics in Museums and Heritage Collections" (PTDC/ART-OUT/29692/2017) project, where she worked as a research scholar.She has also worked as an art conservator for a private company where she coordinated the restoration of polychrome sculptures. She has an interest in the documentation of art and in the development of new green cleaning methods coupled with sustainable practices in art conservation. Recently, she has been awarded a PhD grant (M3.1.a/F/022/2023 ) to study the polychromy of Azorean Modern Sculptures.