Roy Lichtenstein’s Whaam! (1963) is an iconic artwork in Tate’s collection (T00897). Over the past 50 years, the painting has been on almost continuous display and had accrued a layer of deposited soiling, which resulted in the dampening of Lichtenstein’s vibrant colours and the masking of numerous subtleties across the painting surface. This paper outlines the design and execution of an optimal soiling removal strategy for this challenging work; utilising collaborative, practice-based research. The conservation treatment employed was derived through an iterative process that reflected and supported the conservation decision-making process. The research strands included: technical and art historical investigations to determine the materials and construction of Whaam! and to define the aims of the conservation treatment; preparation of accelerated aged and artificially soiled test (mock-up) paint samples based on contemporary equivalent materials and a comparative evaluation of a range of established and novel soil-removal systems, followed by further tailoring for use on the work of art. The range of cleaning systems evaluated included free-solvents, gels and emulsifiers; which were documented using star diagrams, digital microscopy and infrared spectroscopy. After a rigorous process of assessment and refinement, the strategy taken forward to Whaam! included the use of a polyvinyl alcohol-based polymeric hydrogel (Nanorestore Gel^® Peggy 6), uploaded with tailored aqueous solutions. This process facilitated a low risk, controlled and even-removal of the soiling layer, enabling the successful treatment of this sensitive painting for the first time in the painting’s history.

This paper describes the methodology and practice-based research underpinning the development of a successful cleaning strategy for Eva Hesse’s sculpture Addendum (1967, Tate Collection T02394). Research strands included: technical and art historical investigations to determine the materials and construction of the work of art and to define the aims of the conservation treatment; the production, soiling and accelerated ageing of mock-up samples using contemporary equivalent materials; and the systematic, iterative evaluation of soiling removal systems, which were further refined for appropriate use on the work of art. The comparative cleaning system evaluation was employed to determine options which offered optimal soiling removal efficacy and posed minimal risk to the work of art. Newly developed Nanorestore Gel^® Peggy series (i.e. polyvinyl alcohol (PVA) and polyvinyl alcohol/polyvinylpyrrolidone (PVA/PVP)-based hydrogels), designed for the cleaning of modern and contemporary art, were evaluated with a range of other gels, emulsifiers and cosmetic sponges and assessed through a combination of empirical observation, microscopy and spectroscopic techniques. Promising options, combined with tailored aqueous phases derived from trials on mock-up samples, were then evaluated on discreet areas of the sculpture. After extensive testing, the top papier mâché section of Addendum was surface cleaned using an aqueous solution applied with cosmetic sponges, and the ropes were surface cleaned using a modified version of Nanorestore Gel^® Peggy 5 (PVA/PVP) loaded with a tailored aqueous solution. The optimisation of this hydrogel, combined with the extensive supporting research, enabled the successful, low-risk, conservation treatment of Addendum for the first time since acquisition.

The cleaning of a poly(methyl methacrylate) (PMMA) sculpture, Op Structure by Michael Dillon (1967, Tate Collection T03717), was undertaken as a case study during the NANORESTART project. Novel cleaning techniques, including microemulsions and gels, were evaluated and compared against more commonly used treatment methods on mock-ups created to broadly represent the conservation challenges presented by this artwork. The experimental design is presented, including the creation of mock-ups of a contemporary plastic work that required surface soil reduction and removal of two non-original labels with different pressure-sensitive adhesives. More than thirty cleaning systems were applied to soiled mock-ups and evaluated using a combination of imaging, instrumental analysis, and empirical observations. A summary of results, which reflect the decision-making process that led to the final treatment strategy, is presented. After extensive trials, surface cleaning was carried out using an aqueous surfactant-chelator solution applied with microfiber cloths; adhesive labels were removed with dilute water/propan-2-ol cotton poultices.

Surface cleaning of plastic materials of historical value can be challenging due to the high risk of inducing detrimental effects and visual alterations. As a result, recent studies have focused on researching new approaches that might reduce the associated hazards and, at the same time, minimize the environmental impact by employing biodegradable and green materials. In this context, the present work investigates the effects and potential suitability of dense carbon dioxide (CO₂) as an alternative and green solvent for cleaning plastic materials of historical value. The results of extensive trials with CO₂ in different phases (supercritical, liquid, and vapor) and under various conditions (pressure, temperature, exposure, and depressurization time) are reported for new, transparent, thick poly(methyl methacrylate) (PMMA) samples. The impact of CO₂ on the weight, the appearance of the samples (dimensions, color, gloss, and surface texture), and modifications to their physicochemical and mechanical properties were monitored via a multi-analytical approach that included optical microscopy, Raman and attenuated total reflection Fourier transform infrared (ATR-FTIR) spectroscopies, and micro-indentation (Vickers hardness). Results showed that CO₂ induced undesirable and irreversible changes in PMMA samples (i.e., formation of fractures and stress-induced cracking, drastic decrease in the surface hardness of the samples), independent of the conditions used (i.e., temperature, pressure, CO₂ phase, and exposure time).

This work investigates the suitability of supercritical fluid technology for designing a safe, efficient and sustainable consolidation treatment for a pair of heavily degraded goalkeeper gloves. Traditional methods have revealed themselves as unsafe and inefficient, leading to material loss and a minimal enhancement of surface cohesion. To overcome these limitations, the use of supercritical carbon dioxide (scCO₂) was explored in a treatment, where scCO₂ behaves as a green solvent and consolidant carrier. In-depth and homogeneous application of the consolidant, without the need for direct contact with the foam material, was sought. As a proof of concept, the procedure was tested on samples that mimic the synthetic latex-based foam composition and condition of the object. Poly(vinyl acetate) was selected as a consolidant because its behaviour and solubility in scCO₂ are known. Several experimental conditions were explored to assess the impact and feasibility of the scCO₂-assisted consolidation procedure. Empirical observations, optical microscopy, scanning electron microscopy and infrared spectroscopy were used to monitor potential modifications in the samples and assess the treatment efficacy. The results highlighted the advantages and pitfalls of scCO₂-assisted consolidation, paving the way for fine-tuning the process. It neither damaged the fragile surfaces of the foam samples nor increased material loss, which is an advantage compared to traditional treatments. The performed analysis suggested that homogeneous impregnation of the foams was achieved. This study might be a turning point in the conservation of foam-based museum objects, as the results indicate the suitability of the scCO₂-assisted consolidation process as a non-toxic and more efficient alternative, being safer for the object.