Red discolorations are an effloresce phenomenon detect on the surface of stone objects and considered as damage factor in both esthetic and conservation points of view. It is very difficult to remove and seldom report about their weathering mechanism. Recently, numerous of red discolorations have affected the limestone objects of Lingyan Temple in Shandong province, one of the most important building materials in China. In order to set up the appropriate conservation remedy, it is essential to identify the origin, characteristics, composition, and the formation process of red discolorations. Several analytical and investigation techniques, such as X-ray fluorescence spectroscopy (XRF), X-ray diffraction (XRD), Micro-Raman spectroscopy (Raman), Fourier transform infrared spectroscopy (FTIR), scanning electron microscopy (SEM) equipped with energy dispersive spectrometer (EDS) were used to better understand the red discolorations. The results demonstrated that the discolorations on limestone surface have been caused by carbonic acid weathering process. The red discolorations consisted mainly of kutnohorite (Ca(Fe,Mg,Mn)CO₃) and iron oxides. They showed tabular, lamellar, and granular morphologies, which originated from the in situ carbonic acid weathering of kutnohorite. After rainfall, the Ca, Mg, Mn ions with relatively high solubility were primarily leached from carbonatite phases. It was resulting in the sedimentation of red iron oxides through a chemical reaction and physical adhesion. Based on those analyses, a chelating agent (ethylenediamine tetraacetic acid disodium salt) was chosen to remove theses red discolorations on the stone object.

The deposition of a calcium oxalate layer on dolomite demonstrates potential application in stone culture heritage conservation. However, due to insufficient coverage and the presence of cracks, the film’s usefulness is restricted. In this investigation, we used a simple two-step procedure to create a cohesive and uncracked film. The findings show that the protective layer provides better coverage of the dolomite surface without causing cracks and significantly improves acid resistance. Furthermore, after the simple two-step treatment, the color and adhesive strength of dolomite substrates remained nearly unchanged.

Ca(OH)₂ nanoparticles are effective materials for cultural heritage restoration, hazardous substance absorption and photocatalyst. However, many methods are complex, and the particle sizes are usually above 80–100 nm, involving mediocre efficacy for application in the stone restoration field. In this work, Nano Ca(OH)₂ with diameters less than 70 nm and composited with Graphene Quantum Dots (GQDs) were successfully synthesized in aqueous media. The morphology and structure of the nanoparticles were investigated with TEM, HRTEM, XRD, Raman and FTIR. The particle size distribution and relative kinetic stability of the Ca(OH)₂ in ethanol were performed using a laser particle size analyzer and spectrophotometer. Firstprinciple calculations based on the spin-polarized density functional theory (DFT) were carried out to study the reaction process and combination model. The nanoparticles, as prepared, are composed of primary hexagonal crystals and high ammoniated precursors, which have a positive effect on reducing the grain size, and interacted with the GQDs hybrid process. According to the First-principle calculations results, the energy variation of the whole reaction process and the bonding mode between Ca(OH)₂ and GQDs can be understood better.

The restoration of gold leaf on sandstone sculptures requires structural stability, aesthetic considerations, and compliance with the principles of cultural heritage preservation. A primary issue is achieving visual and material compatibility between newly restored and original areas. Based on the “Diagnosis–Analysis–Selection–Restoration” methodology, the research team developed a targeted restoration approach for gilded stone sculptures, using the Shakyamuni sculpture at Erfo Temple in Chongqing as a case study. Assessment of the current situation revealed that over 70% of the sculpture’s surface exhibited gold leaf delamination. The composition and structure of the gold-sizing lacquer, lacquer plaster filler, ground layers, and pigments were investigated using SEM-EDS, XRD, Raman spectroscopy, and THM-Py-GC/MS techniques. The results confirmed that the sculpture featured a typical multilayer gilding structure with clear evidence of historical restorations. Considering both material performance and interfacial compatibility, an NHL2/SiO₂/SF016 composite emulsion and traditional lacquer plaster were selected as the optimal materials for reattachment and infill, respectively. A scientific restoration protocol was developed, encompassing gentle cleaning, targeted reattachment and reinforcement, and region-specific repair methods. Principal Component Analysis (PCA) was used to evaluate the influence of temperature and humidity on the curing behavior of lacquer layers. Additionally, a non-invasive gold leaf color-matching technique was developed by controlling the surface roughness of the gold-sizing lacquer, effectively avoiding the damage caused by traditional color-matching methods.

Due to compatibility issues between traditional reinforcing materials and the substrate of museum wooden artifacts, interface failure occurs after crack reinforcement, particularly under dry and wet cycling conditions. This significantly compromises the durability of reinforcement. To resolve this issue, dealkalized lignin was grafted onto epoxy acrylate (LEA) to synthesize a novel consolidant with both humidity responsiveness and mechanical compatibility. The resulting LEA exhibited excellent multilayer adsorption capability and demonstrated synchronous and uniform hygroscopic expansion behavior, closely matching that of archeological wood. DMA revealed that LEA2 has an elastic modulus of 261.58 MPa and a Poisson’s ratio of 0.35, comparable to artificially degraded wood, effectively mitigating interface stress caused by rigidity differences. Furthermore, LEA effictively reinforced micron-scale cracks while maintaining the original microstructure of the wooden artifact. This material provides a promising solution to the compatibility challenges of traditional consolidants under humidity fluctuations and offers a new approach for the stable preservation of museum wooden artifacts.