Surface gradient characterization by light reflectance (SGCLR) is used for the first time for multiscale curvature calculations and discrimination of worn surfaces on six damaged ceramic–metal composites. Measurements are made using reflectance transformation imaging (RTI). Slope and curvature maps, generated from RTI, are analyzed instead of heights. From multiscale decompositions, bootstrapping, and analysis of variance (ANOVA), a strong correlation (R² = 0.90) is found between the density of furrows of Mehlum curvatures, with a band pass filter at 5.4 µm, present in ceramic grains and their mechanical properties. A strong correlation is found between the mean curvatures of the metal and the ceramics, with a high pass filter at 1286 µm.

Multi-light acquisitions and modeling are well-studied techniques for characterizing surface geometry, widely used in the cultural heritage field. Current systems that are used to perform this kind of acquisition are mainly free-form or dome-based. Both of them have constraints in terms of reproducibility, limitations on the size of objects being acquired, speed, and portability. This paper presents a novel robotic arm-based system design, which we call LightBot, as well as its applications in reflectance transformation imaging (RTI) in particular. The proposed model alleviates some of the limitations observed in the case of free-form or dome-based systems. It allows the automation and reproducibility of one or a series of acquisitions adapting to a given surface in two-dimensional space.

The Château de Germolles is one of the rare palace in France dating from the 14^th century. The noble floor is decorated with wall paintings that are a unique example of courtly love spirit that infused the princely courts of the time. After being concealed sometime in the 19^th century, the paintings were rediscovered and uncovered in the middle of the 20^th century and partly restored at the end of the 1990s. No scientific documentation accompanied these interventions and important questions, such as the level of authenticity of the mural decorations and the original painting technique(s) used in the medieval times remained unanswered. The combined scientific and financial supports of COSCH Cost Action and DRAC-Burgundy enabled to study Germolles’ wall paintings using some of the most innovative imaging and analytical techniques and to address some of the questions raised. The study provided significant information on the material used in the medieval times and on the conservation condition of the paintings. The data collected is vast and varied and exposed the owners of the property to the challenges of data management.