We introduced concept of meander knots, 2-component meander links and multi-component meander links and derived different families of meander knots and links from open meanders with n ? 16 crossings. We also defined semi-meander knots (or knots with ordered Gauss code) and their product.
1 January 2010 in Publications de l'Institut Mathematique
We analyze adequacy of knots and links, utilizing Conway notation, Montesinos tangles and Linknot and KhoHo computer calculations. We introduce a numerical invariant called adequacy number, and compute adequacy polynomial which is the invariant of alternating link families. According to computational results, adequacy polynomial distinguishes (up to mutation) all families of alternating knots and links generated by links with at most 12 crossings.
We analyze applications of knots and links in the Ancient art, beginning from Babylonian, Egyptian, Greek, Byzantine and Celtic art. Construction methods used in art are analyzed on the examples of Celtic art and ethnical art of Tchokwe people from Angola or Tamil art, where knots are constructed as mirror-curves. We propose different methods for generating knots and links based on geometric polyhedra, suitable for applications in architecture and sculpture.
12 August 2011 in Journal of Mathematical Chemistry
The idea of construction of twin buildings is as old as architecture itself, and yet there is hardly any study emphasizing their specificity. Most frequently there are two objects or elements in an architectural composition of “twins” in which there may be various symmetry relations, mostly bilateral symmetries. The classification of “twins” symmetry in this paper is based on the existence of bilateral symmetry, in terms of the perception of an observer. The classification includes both, 2D and 3D perception analyses. We start analyzing a pair of twin buildings with projection of the architectural composition elements in 2D picture plane (plane of the composition) and we distinguish four 2D keyframe cases based on the relation between the bilateral symmetry of the twin composition and the bilateral symmetry of each element. In 3D perception for each 2D keyframe case there are two sub-variants, with and without a symmetry plane parallel to the picture plane. The bilateral symmetry is dominant if the corresponding symmetry plane is orthogonal to the picture plane. The essence of the complete classification is relation between the bilateral (dominant) symmetry of the architectural composition and the bilateral symmetry of each element of that composition.