The present paper concerns the design of the semantic infrastructure of the data space for cultural heritage as envisaged by the European Commission in its recent documents. Due to the complexity of the cultural heritage data and of their intrinsic inter-relationships, it is necessary to introduce a novel ontology, yet compliant with existing standards and interoperable with previous platforms used in this context as Europeana. The data space organization must be tailored to the methods and the theory of cultural heritage, briefly summarized in the introduction. The new ontology is based on the Digital Twin concept, i.e., the digital counterpart of cultural heritage assets incorporating all the digital information pertaining to them. This creates a Knowledge Base on the cultural heritage data space. The paper outlines the main features of the proposed Heritage Digital Twin ontology and provides some examples of its application. Future work will include completing the ontology in all its details and testing it in other real cases and with the various sectors of the cultural heritage community.

The paper concerns the definition of a novel ontology for cultural heritage based on the concept of digital twin. The ontology, called Heritage Digital Twin ontology, is a compatible extension of the well-known CIDOC CRM ISO standard for cultural heritage documentation and incorporates all the different documentation systems presently in use for cultural heritage documentation. In the authors’ view, it supports documentation interoperability at a higher level than the ones currently in use and enables effective cooperation among different users.

This paper concerns the extension of the Heritage Digital Twin Ontology introduced in previous research to describe the reactivity of digital twins used for cultural heritage documentation by including the semantic description of sensors and activators and all of the process of interacting with the real world. After analysing previous work on the use of digital twins in cultural heritage, a summary description of the Heritage Digital Twin Ontology is provided, and the existing applications of digital twins to cultural heritage are overviewed, with references to reviews summarising the large production of scientific contributions on the topic. Then, a novel ontology named the Reactive Digital Twin Ontology is described, in which sensors, activators, and the decision processes are also semantically described, turning the previous synchronic approach to cultural heritage documentation into a diachronic one. Some case studies exemplify this theory.