Numerous experimental techniques of analysis find applications in many branches of the archaeometry. Among them, Raman spectroscopy carved out a niche in the field of diagnostic and conservation of cultural heritage. The exceptional ability to predict and discover the structural properties of materials set for Raman spectroscopy, an exclusive role among the analytic techniques, is further boosted when it is coupled with mathematical or statistical models able to deepen the studied phenomena. In this work, we present a review of recent studies where pairing Raman spectroscopy and mathematical models allowed achieving important results in the case of potteries, porcelains, ancient and modern paper, ancient jewelry, and pigment degradation. The potentialities of this approach are evidenced and analyzed in detail.

Cadmium yellow degradation afflicts numerous paintings realized between the XIXth and XXth centuries. The degradation process and its kinetics is not completely understood. It consists of chalking, lightening, flaking, spalling, and, in its most deteriorated cases, the formation of a crust over the original yellow paint. In order to improve the comprehension of the process, mock-up samples of CdS in yellow and orange tonalities were studied by means of structural analysis and optical characterization, with the principal techniques used in the field of cultural heritage. Mock ups were artificially degraded with heat treatment and UV exposure. Relevant colorimetric variation appears in CIE Lab coordinates from reflectance spectra. XRD, SEM-EDS, and Raman spectroscopy revealed the formation of cadmium sulfate, whilst time-resolved photoluminescence and pump–probe transient absorption spectroscopy suggest the formation of a defective phase, compatible with Cd vacancies and the formation of both CdO and CdSO₄ superficial clusters.

Calcium hydroxide, a crystal involved in the cycle of calcination and carbonation of calcium oxide, finds several applications from cultural heritage to the dentistry branch or to the construction industry. When excited at 1064 nm, Raman spectra of calcium hydroxide show a broad composite band peaked at about 780 cm⁻¹, corresponding to 1170 nm. Since it is not observed with visible excitation, the origin of this band is debated, being assigned to some pre-existent luminescent impurities or some structural defect of the lime formed after the synthesis of the material. To shed light on the formation of this band, we synthetised the lime paste starting from pure calcite powders. The obtained fresh Ca(OH)₂ samples did not show any band in the investigated range, irrespective of the laser excitation applied. A detailed analysis of the excitation and emission spectra in the near infrared region did not show the 1170 nm band, supporting the hypothesis of a post-synthesis origin. Thus, we carried out thermal treatments at different temperatures (90–500 °C) and under different environments (in air or under nitrogen flux) on synthesised fresh Ca(OH)₂ powders. We also investigated the time evolution of the samples, monitoring the Raman spectra over 90 days after a specific treatment. The collected data support the hypothesis of a defect-related luminescence centre, whose formation depends on the temperature and environment of the treatment, which appears as a preferential site for the carbonation process of the calcium hydroxide. These results can be useful in the field of Cultural Heritage for dating purposes, and to determine the conservation state of Ca(OH)₂ containing relics to prevent the possible activation of degradation processes.

In this study, we proposed a preliminary kinetic model applied to the carbonation process of fresh lime with the intention to realize a diagnostic tool for aged fresco paintings. The model can be useful, in particular, in the fields of conservation and restoration of ancient lime wall paintings. The dating procedure was achieved through the analysis of 1064 nm excited Raman spectra collected on artificially aged lime samples in addition to ancient samples taken from literature and covering a period of two thousand years. The kinetic model was developed monitoring the concentration of emitting defective centers related to the intensity of 780 cm⁻¹ calcium hydroxide band as a function of the time and depth. This preliminary model shows how Raman spectroscopy, especially NIR micro-Raman, is advantageous for diagnostics and conservation in the cultural heritage field.

Miniaturized bronze flasks represent a small portion of a wide metallurgical production that flourished in Sardinia (Italy) between the Final Bronze Age (FBA) and the Early Iron Age (EIA). They replicate a well-known and symbolic type of object, the pilgrims’ flask, common in all Europe and Mediterranean basin, and have but few archaeological parallels. For these reasons, their characterization can be considered important from an archaeological perspective. Three flasks, preserved at the Antiquarium Arborense museum (Oristano), were analyzed by X-Ray Fluorescence Spectroscopy (XRF) and Raman spectroscopy, integrated by multispectral images. The samples, coming from illegal excavations, posed two problems: establishing their authenticity and investigating the alloy composition of such particular objects. All specimens presented a widespread degradation in the outer surface: XRF and Raman spectroscopy indicated the presence of copper oxides, calcium and copper carbonates deposits. The abscence of Zn, a clear marker of forgeries, was not detected by XRF. In two of the flasks, an unusual Sn content above 20%, was detected. For FBA and EIA, especially regarding southern Europe, Sn was extremely rare, and was possibly used with caution. Further results are presented herein.