Romania, due to its historical background, has many vestigial belongings to the cultural heritage, out of which the most noticeable (by number, age, architecture, symbolism and representation) are the wooden churches. Under these circumstances the role of the current study is to emphasize certain practical aspects (focused on the need to assess, preserve, restore and valorize) regarding the use of modern technology based on photogrammetry and 3D scanning. The case study was represented by the “Saint Martyrs Constantin Brȃncoveanu and His Sons” wooden church from Oradea Municipality, Bihor County, Romania; the edifice being included on the list of historical monuments ever since 2010. The final goal being to create 3D models for both the exterior and interior of the monument for research, restoration in case of need, sharing for education, entertainment, tourism purposes etc.

The emergence of new technologies has dynamized the way in which cultural heritage is documented, preserved, and passed on to new generations; something that determines a paradigm shift in terms of research in this field. Most operations now also have access to the virtual component. In this context, the current study aimed to make accessible through virtual and augmented reality one of the most interesting objectives belonging to the Jewish cultural heritage built in Art Nouveau style in the municipality of Oradea (Romania), which currently functions as a La Belle Epoque Museum. In the study, the techniques of terrestrial, aerial photogrammetry, and terrestrial laser scanning were used to remodel, in a three-dimensional format, as faithful as possible and usable in different applications, the special architecture of the exterior of the monument. This information was doubled by making the interior of the monument accessible through a complete and complex series of panoramic images interconnected within a virtual tour that will be made available to tourists interested in discovering the Darvas-La Roche House. The virtual tour, which includes both graphic, textual, and audio information, represents an innovative approach for the buildings built in Art Nouveau style in the municipality of Oradea, representing a virtual bridge for better promotion of the tourist destination and for the awareness of the local people regarding the importance of preserving and appreciating the local cultural heritage. This is all the more important as this is the first initiative to make the Art Nouveau buildings in Oradea Municipality accessible to the general public in an innovative way.

Poor air quality inside museums can have a double effect; on the one hand, influencing the integrity of the exhibits and on the other hand, endangering the health of employees and visitors. Both components can be very sensitive to the influence of the internal microclimate, therefore careful monitoring of the physical parameters and pollutants is required in order to maintain them within strict limits and thus to reduce the hazards that can be induced. The current study considers the determination and analysis of 15 indicators of the internal microclimate in an Art Nouveau museum built at the beginning of the 20th century in the Municipality of Oradea, Romania. The monitoring spanned a period of seven months, between September 2021 and March 2022, targeting three rooms of the museum with different characteristics and containing exhibits with a high degree of fragility. The results show that, although there are numerous indicators that have exceeded the thresholds induced by international standards, the possible negative impact on the exhibits and/or on human health remains moderate. This is due to the fact that, most of the time, exceeding the permitted limits are small or only sporadic, the values quickly returning to the permitted limits. Thus, only 22 of the 212 days of monitoring recorded marginal conditions regarding the quality of the indoor air, the rest having acceptable and good conditions. To improve the indoor conditions, a more careful management is needed, especially regarding the values of temperature, humidity, particulate matters, natural and artificial light, volatile organic compounds (VOC) and formaldehyde (HCHO), which during the measurements recorded high values that fluctuated in a wide spectrum. The obtained results can represent the basis for the development and implementation of long-term strategies for stabilizing the microclimatic conditions in the museum in order to preserve the exhibits preventively and to ensure a clean and safe environment for people.

The aim of the present research is to assess the impact of factors such as welfare, infrastructure, security, and the environment on inbound tourism as well as to develop its forecast. Six proxy indicators of the above-mentioned factors were selected as variables, namely, welfare (real GDP per capita, life expectancy, consumer price index), infrastructure (passenger transportation volume), security (total recorded crimes), and the environment (CO₂ emissions). We used a time series-univariate ARIMA model to forecast the inbound tourism in the Republic of Uzbekistan, and applied the ARDL model to assess the impact of lagged real GDP per capita on inbound tourism in both the short and long terms. The results of our research show that security and welfare significantly affect the inflow of foreign tourists in the country, along with the impact of the COVID-19 pandemic crisis, the effects of which are expected to persist beyond 2026.

The old fibers that make up heritage textiles displayed in museums are degraded by the aging process, environmental conditions (microclimates, particulate matter, pollutants, sunlight) and the action of microorganisms. In order to counteract these processes and keep the textile exhibits in good condition for as long as possible, both reactive and preventive interventions on them are necessary. Based on these ideas, the present study aims to test a natural and non-invasive method of cleaning historic textiles, which includes the use of a natural substance with a known antifungal effect (being traditionally used in various rural communities)—lye. The design of the study was aimed at examining a traditional women’s shirt that is aged between 80–100 years, using artificial intelligence techniques for Scanning Electron Microscopy (SEM) imagery analysis and X-ray powder diffraction technique in order to achieve a complex and accurate investigation and monitoring of the object’s realities. The determinations were performed both before and after washing the material with lye. SEM microscopy investigations of the ecologically washed textile specimens showed that the number of microorganism colonies, as well as the amount of dust, decreased. It was also observed that the surface cellulose fibers lost their integrity, eventually being loosened on cellulose fibers of cotton threads. This could better visualize the presence of microfibrils that connect the cellulose fibers in cotton textiles. The results obtained could be of real value both for the restorers, the textile collections of the different museums, and for the researchers in the field of cultural heritage. By applying such a methodology, cotton tests can be effectively cleaned without compromising the integrity of the material.

The Jewish architectural heritage is and will remain an integral part of the local cultural heritage, but part of it still needs to be discovered, rehabilitated, maintained and valued. For Oradea, a Central–Eastern European city, this challenge is very specific because the Jewish communities before World War II were very strong and prosperous and because of the current desire to assert the city in the tourism market through urban regeneration. The Jewish community of Oradea had an important representative in Éva Heyman, a child of the Holocaust, nicknamed “Anne Frank of Transylvania”, which became famous. At the age of 13 years, Éva Heyman kept a diary during the Jewish ghettos in Oradea. In addition to the diary, her story is about the house where she grew up, built in the Art Nouveau style at the center of Oradea. Even though this house is of inestimable value from an aesthetic and cultural point of view, very little is known among the local population. Moreover, it is not listed as a historical monument, and its current state of preservation is precarious. With the increasing importance of preserving cultural heritage and computer graphics development, the digitization of historical buildings began to be used more and more for evaluation, preservation and promotion. This paper attempts to highlight the story of Éva Hayman and the house where she grew up. The paper further presents the innovative methods by which it is desired to achieve the presented goal for this architectural jewel. The results show that three-dimensional digitization methods are powerful tools for preservation and use for the benefit of the general public, education professionals, administrators and investors, art historians, restorers, etc., who are concerned with the collection preservation, exploration and mediation of the Jewish cultural heritage.