In China, Xuan paper has been the paper of choice as artwork support and for conservation, for several centuries. However, little is known about its material properties, especially given the many grades of sized and unsized Xuan paper. In addition, there is a lack of information on its degradation. In this research, a selection of contemporary unsized Xuan papers was investigated, representing diverse raw materials. Seven out of twelve contemporary unsized Xuan papers were determined to be approximately neutral and contain > 2% alkaline reserve, indicating good durability. Viscometry was used to determine the degree of polymerisation (DP) as none of the samples gave significant reactions to the phloroglucinol spot test. The average DP of ten contemporary unsized Xuan papers is ~ 1700, excluding two papers that have presumably been sun-bleached, and that exhibit significantly lower DP. Using X-ray fluorescence, it can be demonstrated that Ca and Si are the dominant elements and interestingly, Ca content is directly correlated with ash content and with alkaline reserve. Accelerated degradation was performed at two sets of environmental conditions, i.e. 90 °C, 30% RH and 60 °C, 70% RH, and the established degradation rates agreed with the Collections Demography model of paper degradation meaning that degradation of Xuan papers proceeds in the same way as other types of paper. This research gives fundamental insights into contemporary unsized Xuan papers, which exhibit good stability during accelerated degradation despite the low starting DP in the context of the samples used in this study. Our findings may inform methods of Xuan paper production, selection of Xuan paper for conservation purposes, as well as preventive conservation of Xuan paper-based artefacts.

Over recent decades, various heritage institutions have utilized a multitude of materials to reinforce the painted layers of ancient Chinese wooden architecture. In this study, we conducted a comprehensive evaluation of the properties and durability of four widely used reinforcement agents, i.e., AC33, B72, FKM, and FEVE, using a series of techniques, including contact angle tests, water vapor permeability measurements, color difference evaluations, tensile strength tests, UV–vis spectrometry, and scanning electron microscopy (SEM). The results demonstrate that the transmittance rates of the films made from these four reinforcement agents are approximately 100% in the visible light range. Among them, the B72 film exhibits the highest hydrophobicity. The AC33 film has better permeability, fair tensile strength, and is more hydrophilic. FKM film is more hydrophobic but has lower permeability and tensile strength. Overall, the FEVE film presents the best comprehensive properties, including better hydrophobicity, higher permeability, and tensile strength. This research provides data evidence to guide heritage conservators and curators in decision-making when selecting appropriate reinforcement materials in practice.

This research sheds light on the analysis of pigments and adhesives applied on a color painting on wooden architecture in Taiping Heavenly Kingdom Prince Dai’s mansion, located in Changzhou, Jiangsu Province in China. Four samples were collected from the painting above the building beam in the mansion, and the samples were analyzed and identified using a series of techniques, including polarized light microscopy (PLM), scanning electron microscope coupled with an energy-dispersive X-ray spectroscopy (SEM-EDS), micro-Raman spectroscopy (m-RS) and Fourier-transform infrared spectroscopy (FTIR). The results indicate that the red, black, blue, and green pigments were identified to be cinnabar, ivory black, indigo, and phthalocyanine green, respectively. The green pigment was inferred to be a lately repainted pigment based on its production age, suggesting that this ancient building had been refurbished or repaired. Given the good stability and visual effect of this green pigment, it is suggested to be used in future conservation processes. The pyrolysis-gas chromatography/mass Spectrometry (Py-Gc/Ms) results indicate that glue containing protein was used as a binder for the pigment samples, and that walnut oil might have been applied to the wooden architecture as a primer before painting. Our findings can well inform curators and conservators of the selection of appropriate restoration materials if necessary, and also provide data support for conservation of similar ancient buildings in southern China.

In the process of conservation mounting, starch paste made from wheat flour is the glue of choice to paste reinforcing strips and backing papers, often Xuan paper, for mending and decorating aged and damaged paper-based Chinese artworks. To keep objects intact and select appropriate conservation materials, this research explored the applicability of near-infrared (NIR) spectroscopy coupled with multivariate analysis for the characterization of contemporary unsized Xuan paper with and without starch. In particular, partial least squares (PLS) regression was used to predict the degree of polymerization (DP) of the paper, i.e., one of the most important properties of paper materials, and principal component analysis (PCA) was used to detect starch and to distinguish between papers with different amounts of starch. Using 12 contemporary unsized Xuan papers, the NIR-PLS method for DP prediction was validated, and the best-performed model was generated using the logarithmic transformation of DP⁻¹ as a response variable, with root mean square error of prediction (RMSEP) of DP 128. The NIR-PCA method was also found to be applicable to separate starch-free papers and papers treated with starch, and the results indicate that the higher the content of starch, the better PCA classification performs. This research provides supporting data for the non-destructive characterization of Xuan paper-based objects and differentiates between Xuan paper before and after treatment with starch.

Historical records indicate that Xianyang Ancient Ferry Site, dating back over three millennia to the late Shang Dynasty, has been an important transportation hub in ancient times. The use of combined wooden stakes and stones is a special method for flood control among ancient flood prevention techniques. This research aims to evaluate the current preservation condition of these ancient wooden stakes. The dating of the wooden stakes at the site ranges between 940 ± 30 BP and 320 ± 30 BP. The fiber cross-section and microstructure images of the wooden samples indicate that the wood is attributed to Platycladus orientalis. SEM images indicate decay and deterioration of the wooden samples, with the presence of mold spores within the cavities. XRD, FTIR, and TG/DSC spectra of historical wooden samples collected from the site and fresh Platycladus orientalis wood samples demonstrate a significant decrease of cellulose crystallinity in the historical samples, leading to severe deterioration of the wood at the site. Five dominant mold species were identified, i.e., Aspergillus niger, Aspergillus flavus, Penicillium citrinum, Trichoderma, and Phanerochaete chrysosporium, which accelerate the degradation of cellulose and other polysaccharides. This research provides scientific evidence for the selection of reinforcement materials and guides curators and conservators to formulate conservation strategies in the future.