Introduction: X-ray computed tomography (CT) is now used in the cultural heritage field because it is non-invasive and it can give a large amount of information on the inner structure of the object under study. Until recently mainly medical CT scanners or micro-CT setups have been used, limiting the analysis to relatively small artworks or requiring multiple acquisition and difficult image-joining for objects larger than detector dimensions. Results: To overcome the limitations of ordinary CT devices, a facility for the X-ray tomography of large size artefacts has recently been designed and installed in a protected area of the Fondazione Centro Conservazione e Restauro "La Venaria Reale", a Centre for Preservation and Restoration. This facility, based on a X-ray source, a linear X-ray detector and a high precision mechanical system, has been and will be used to gather information on materials, manufacturing techniques and conservative conditions of artworks undergoing the restoration process. In this paper the results of the tomography of the first analyzed large artistic object are presented, giving an idea of the wealth of information obtained from the CT scan. The presented artwork is the writing cabinet called "doppio corpo", a masterpiece of furniture more than 3 m high, inlaid for Savoy Residences by Pietro Piffetti, the most famous cabinet-maker in Piedmont in the XVIII century. The artwork is now housed in the Quirinale Palace, the official residence of the Italian President in Rome. Conclusions: The CT analysis permitted us to obtain valuable information about the conservative conditions, the presence of previous interventions, the distribution of various materials and the dimensions and arrangement of several wooden pieces, thus allowing for interesting hypotheses about the building technique of this masterpiece.

Introduction: X-ray imaging is a very powerful tool which can be exploited in several fields. In the last few years, its use in archaeology has grown consistently. One of the most recent and interesting applications of computed X-ray tomography (CT) is the analysis of soil blocks, coming from excavations, in order to seek for finds of different kinds and materials possibly contained therein. For this purpose, both medical and industrial CT scanners have been employed. In this paper, the application of a CT instrument specifically designed and developed for the analysis of Cultural Heritage materials is presented. We analysed a soil block extracted from a necropolis in the Italian region of Abruzzo and probably dating back to the VI-IV century B.C., which was found to contain a bronze belt. Results: Thanks to the versatility of the CT equipment we designed, a complete scan has been obtained in less than four hours and has delivered extremely useful information in a completely non-invasive way. The CT dataset and images allowed a virtual extraction of the find to be performed before the actual stratigraphic recovery that, in this case, was simplified thanks to the merging of the archaeological evidences and with information coming from scientific analyses. The information provided by the tomography consisted in: the distribution, shape and dimensions of fragments composing the artefact; indications about its general conditions; the recognition of repairs done in the past and the presence of different materials (although not precisely identified). Conclusions: The use of CT has great potential for the work of both archaeologists and restorers. The indirect extraction of an artefact from an archaeological excavation, which entailed moving a soil block to the laboratory, allowed one to reconstruct almost all its parts and to collect information about materials. CT analysis has been particularly useful for determining both its conditions and its repairs before the actual recovery, thereby facilitating the restoration process. The recovery and conservation of an historical piece like the one presented here can help archaeological and conservation studies, enrich a museum collection and contribute to the dissemination of acquired cultural information.

X-ray Computed Tomography (X-CT) is now an established technique for the investigation and diagnostics of Cultural Heritage. Its advantages include non-invasiveness, non-destructiveness, and the possibility of exploring the inner parts of an object without any modification. X-CT is often employed to investigate the construction methods of complex artifacts made with different parts or materials, but it is also able to support the analysis, intervention, monitoring and enhancement processes of artworks, creating digital models that can aid in the conservation and restoration procedures. In this work, several case studies are presented in which the CT technique has been decisive in identifying the effects of time and the events that occurred during the object’s life influencing its state of conservation. These range from large objects, such as an 18th century CE writing cabinet or an ancient Egyptian wooden coffin, to very small artifacts, like Mesopotamian lapis lazuli beads or fragments of Roman colored glass. Additionally, the results obtained by µ-CT investigations on the conservation state of a bronze arrowhead uncovered from the Urama-chausuyama mounded tomb (Japan, Kofun period, end of the 3rd century CE) are presented here for the first time. Lastly, the versatility of the technique when applied with different setups is highlighted.

This paper presents the removal of a non-original varnish from the surface of a painting by Wassily Kandinsky based on prior experimentation carried out on mock-ups, which were made according to the original artistic technique and painting stratigraphy. Due to a generally serious state of conservation, the artwork underwent several treatments over the years that have changed its original appearance. This work focused on the study and characterization of the ketone-based varnish present on the surface to outline how this non-original film layer interacted with paint layers and increased deterioration phenomena. Aiming to identify the most suitable approach for the artwork, some preliminary cleaning tests were made on artificially aged mock-ups. A multi-analytical investigation was carried out through non-invasive and invasive techniques to support all steps of the conservation treatment. By comparing cleaning results on mock-ups, a suitable protocol was developed and applied to the original painting. The best results were obtained by using the Nanorestore Gel^® Dry MWR (Medium Water Retention) with ethanol. The project has shown that the dissolving power of the solvent can effectively be controlled and limited at the surface by confining it to the nanostructure of the gel, thus minimizing the risk of interaction with the original paint layers.

Contemporary murals and street art play a critical role in urban culture, serving as platforms for social activism and reflecting the vibrancy of city life. This study within the SuperStaAr project framework examines the challenge of graffiti removal while safeguarding the original synthetic paint layers. Through a detailed investigation using Q-Switch and Long Q-Switch lasers (Nd:YAG), we evaluate the effectiveness and safety of laser cleaning techniques on both unaged and artificially aged mural mock-ups. The initial findings highlight the Q-Switch and Long Q-Switch lasers as promising for removing graffiti without compromising the paint integrity. Our assessment criteria—encompassing residue presence, surface roughness, color changes, cleaning effectiveness, and pigment pickup—were validated through empirical evaluation and supported by colorimetric, micro–ATR–FTIR, and Py–GC/MS analyses. Notably, the incorporation of a passive sampling system for Py–GC/MS analysis facilitates a deeper understanding of the ablated materials without direct sampling from the artwork. This research contributes a foundational framework for the evaluation of laser cleaning in mural conservation, emphasizing the importance of tailored strategies to enhance the sustainability of urban art conservation efforts.

The aim of this study is to evaluate the effectiveness of deacidifying treatments for the restoration of textiles used as supports for works of art, with particular attention to the chemical stability, colour variation and mechanical resistance of the materials over time. The present study involved the analysis of two products: Bookkeeper^TM, containing magnesium oxide, and Nanorestore^TM, a dispersion of calcium hydroxide in alcoholic solutions of ethanol and 2-propanol. The products were applied to a series of tests on cotton, linen and jute fabrics. The experimental approach comprised an artificial degradation process of the fabrics, followed by the application of the treatments and an accelerated ageing cycle. A series of parameters were monitored throughout the experiment, encompassing surface pH, chromatic shifts ascertained through colorimetric measurements and the morphological transformations of the fabrics, as elucidated by scanning electron microscopy (SEM-EDS). The findings yielded from this study have enabled the delineation of the behaviour exhibited by the treated materials over an extended timeframe. This underscores the significance of a judicious selection of treatments, contingent upon the particular chemical and physical attributes inherent to the fabrics in question.