Tourist demands and the ensuing commodification of habitability in cities have led to the emergence of resistance movements. This study aims to define patterns in touristified cities by measuring the presence of citizen initiatives, together with tourism intensification and related socio-demographic variables. All the indicators have been tested in the Mediterranean port cities of Barcelona and Malaga as they lead the cultural offer. Both municipalities have been analysed at census-section level and show a common urban pattern: the Airbnb offer has spread out in the old town in direct competition with traditional accommodation and replacing long-term rentals. Statistical analysis reveals a significant correlation among citizen initiatives with tourism services, which are the driver mechanisms behind the movements. Cluster maps show a clear centre-periphery pattern according to the tourism intensification set with high coefficient values for tourist accommodation. Bivariate spatial autocorrelation indicates that protest movements emerge in tourism specialisation areas with a high concentration of tourist facilities. Monitoring the proposed indicator system over time may serve as a basis for local administrations to promote new urban policies dealing with overtourism. Future research may redefine and include new variables, test other tourist destinations and consider a smaller non-administrative territorial unit of analysis.

Not only the United Nations Educational, Scientific and Cultural Organization (UNESCO), but also researchers have called for the involvement of local communities in the management of intangible cultural heritage (ICH) in the last decade. Despite awareness of this need for local involvement, there is no consensus regarding common criteria and implementation methods, especially in the case of small urban neighbourhoods. This research seeks to fill that gap by exploring different participatory actions with local communities in the neighbourhoods to identify and inventory their ICH. A participatory process was conducted in the Fontanalla neighbourhood of the city of Malaga and included expert opinions and local knowledge. Informal interviews, observational works and participatory actions were used to collect extensive data, which was then categorised and analysed. The results allowed the singularities and traditions to be recognised as part of their ICH. An ICH inventory is proposed with the involvement of the local community. The results from collected data and the suggested methodology to activate ICH participatory processes are expected to be useful for researchers and practitioners working on Intangible Cultural Heritage as well as Urban Regeneration in cities.

Clustering of tourism-related activities leads to tourism gentrification because of urban tourism. This study proposes a methodology for identifying pattern of tourism intensification in cities. The main objectives were to conduct an in-depth measurement of tourism intensification and to consider the conflict of interest between stakeholders involved. The proposed indicator system is based on several variables measured by neighbourhoods as territorial units: citizen initiatives, population and tourist accommodations and facilities. All indicators were tested in two Spanish port cities: Malaga and Valencia. Geographic Information System mapping showed common patterns in both cities, such as tertiary use concentrated in the old town, new tourist offers around it, and emerging clusters far away. Statistical analysis showed a high spatial correlation between neighbourhoods with several citizen initiatives and a wide range of Airbnb listings or cultural facilities. The spatial analysis and correlations between tourism intensification indicators may serve as a basis for local administrations to propose an urban policy that deals with overtourism in the short and medium terms. This work serves as a basis for new research on urban tourism: redefinition and addition of variables, as well as further development of comparative case studies or field studies that check the datasets.

The touristification agenda has had considerable representation in the media in recent years because of tourism specialisation in cities. Existing literature has focused on using content analysis; however, previous content analyses have not typically been mapped. The main objectives were to conduct an in-depth measurement of urban tourism issues covered in the press and the stakeholders involved, but spatially. To show the spatial representation of touristification, Malaga is used as a case study as it is an emerging tourist city. The article analyses the content of 166 news items on touristification in Malaga published in the most-read local newspapers up to and including the year 2020. Data categorised were mapped to assign a sum of news articles about touristification issues at neighbourhood level. Density mapping shows a common pattern for each category: an over-representation of the city centre and a reduction in the number of news items per neighbourhood as we move away from the old town. A Pearson correlation coefficient shows a high spatial correlation between neighbourhoods in the press with several citizen initiatives geolocated on them. A spatial analysis shows where the negative impacts of tourism intensification happen, which may serve as a basis for the local administrations to develop an urban policy to safeguard residential use in those neighbourhoods under tourism pressure. This work serves as a basis for new research on touristification: the addition of case studies to identify common urban patterns and the definition of a social conflict index through the geolocation of the stakeholders involved.

El presente artículo explora las potencialidades de los proyectos de arte urbano a través de la Educación Artística, poniendo el foco en el entorno construido, el espacio público, gracias a su valor de uso y su capacidad de re-significación para revertir su anonimato y facilitar la construcción de situaciones relacionales. Para ello se estudia el proyecto artístico y educativo La red que nos une: una intervención artística realizada en el entorno urbano de un centro educativo de la ciudad de Málaga, desarrollada por la comunidad local y educativa del mismo a través de procesos de participación ciudadana. El estudio, dentro del paradigma de investigación cualitativa, sigue el diseño de un estudio de caso. Los procedimientos utilizados han sido la entrevista abierta, la observación y la documentación pedagógica. Tras exponer el proyecto pedagógico, el análisis de los resultados se detiene en cinco cuestiones que invitan a repensar el lugar de la Educación Artística en las escuelas: la etnografía visual, el pensamiento divergente, la destrucción del mito del artista, la regeneración urbana por medio de la expresión artística y el trabajo desde los universales.