Urban blue infrastructure is an important component of the urban landscape for ecological, economic, social, and cultural reasons. However, there is a clear research gap in relation to preferences and patterns of use in the context of different blue spaces, considering the citywide context and different cultural and geographical settings. Additionally, when compared to green spaces, the location and morphology of urban blue elements are usually geographically predefined, and it is much less possible to ensure their equitable distribution with respect to population. To fill this gap, we decided to explore the effect of distance from residential areas, the role of water, the level of facilities, and the character of blue spaces in attracting visitors of different demographic characteristics in a sample of different European cities. We used a public participatory geographic information system approach (PPGIS) to collect data about residents’ favourite blue spaces in each city and categorize the most popular of these according to whether they were close to or distant from respondents’ homes. We also categorized the types of blue spaces and the level of facilities present. The results show that certain key blue spaces, such as the seaside or beaches, attract more distant visitors and that the pattern of the blue spaces within the city also affects visitation. There are many differences among the studied cities due to the morphology determined by geography. The usage of blue spaces is very site-specific and should be studied in more detail at the city and place levels, focusing on the different roles of everyday and destination places.

Informal Green Spaces (IGS) in towns and cities are areas of varied appearance, representing a wide range of aesthetic values. In this study, we have focused on how users perceive such space and which elements match some particular values. Based on the analysis of photographic images taken by chosen IGS visitors, the technique called Visitor-Employed Photography (VEP), we elicited three primary groups of IGS images, namely landscape, scenery, and special elements. It is possible to define several visual structures in each category, with highly preferable spatial fragments and particular attributes. They are aesthetic prototypes, centers of aesthetic preferences among users of informal green areas. Recognizing proximity to the preference core allows us to define the preferred IGS landscape aesthetics. Based on the data collected, we have concluded that IGS users prefer vast grass areas, dense groups of trees and shrubs, water, and the absence of anthropogenic elements.

After World War II, Finland and Poland needed swift housing reconstruction. In Finland, the solution was prefabricated, wooden detached houses, which soon were exported globally. In 1947-48, Poland imported around 4,000 Finnish houses to the mining areas in Silesia. The architecture was based on domestic Finnish models developed from modernist housing ideals. The division of the interiors focused on rational usage of space, labor, and hygiene. Today, most of the buildings are preserved, and it is possible to track the adaptations of the architecture from foreign temporary structures to local homes and heritage to provide data for developing future reconstruction architecture.This article analyzes how Finnish modernist ideals on home and housing were circulated internationally by exporting prefabricated wooden housing to reconstruction areas in Upper Silesia. The main questions relate to how the Finnish ideology on modernist housing and interior planning was adapted to the local culture of home and housing in Silesia and what can be learned from the reception and adaption of the interiors when designing housing for reconstruction after crises today. The article is based on archival material from Finland and Poland, such as architectural drawings, maps, and documentation on trade and export. The main methodologies are architectural and design analysis combined with historiographic reading of archival data and literature. The article shows how architecture with interiors planned for Finnish domestic use became integrated into the Silesian home culture, transforming temporary housing into permanent homes.