Motor imagery (MI) promotes motor learning and encourages brain–computer interface systems that entail electroencephalogram (EEG) decoding. However, a long period of training is required to master brain rhythms’ self-regulation, resulting in users with MI inefficiency. We introduce a parameter-based approach of cross-subject transfer-learning to improve the performances of poor-performing individuals in MI-based BCI systems, pooling data from labeled EEG measurements and psychological questionnaires via kernel-embedding. To this end, a Deep and Wide neural network for MI classification is implemented to pre-train the network from the source domain. Then, the parameter layers are transferred to initialize the target network within a fine-tuning procedure to recompute the Multilayer Perceptron-based accuracy. To perform data-fusion combining categorical features with the real-valued features, we implement stepwise kernel-matching via Gaussian-embedding. Finally, the paired source–target sets are selected for evaluation purposes according to the inefficiency-based clustering by subjects to consider their influence on BCI motor skills, exploring two choosing strategies of the best-performing subjects (source space): single-subject and multiple-subjects. Validation results achieved for discriminant MI tasks demonstrate that the introduced Deep and Wide neural network presents competitive performance of accuracy even after the inclusion of questionnaire data.

Advancements in music emotion prediction are driving AI-driven algorithmic composition, enabling the generation of complex melodies. However, bridging neural and auditory domains remains challenging due to the semantic gap between brain-derived low-level features and high-level musical concepts, making alignment computationally demanding. This study proposes a deep learning framework for generating MIDI sequences aligned with labeled emotion predictions through supervised feature extraction from neural and auditory domains. EEGNet is employed to process neural data, while an autoencoder-based piano algorithm handles auditory data. To address modality heterogeneity, Centered Kernel Alignment is incorporated to enhance the separation of emotional states. Furthermore, regression between feature domains is applied to reduce intra-subject variability in extracted Electroencephalography (EEG) patterns, followed by the clustering of latent auditory representations into denser partitions to improve MIDI reconstruction quality. Using musical metrics, evaluation on real-world data shows that the proposed approach improves emotion classification (namely, between arousal and valence) and the system’s ability to produce MIDI sequences that better preserve temporal alignment, tonal consistency, and structural integrity. Subject-specific analysis reveals that subjects with stronger imagery paradigms produced higher-quality MIDI outputs, as their neural patterns aligned more closely with the training data. In contrast, subjects with weaker performance exhibited auditory data that were less consistent.

Sound synthesis refers to the creation of original acoustic signals with broad applications in artistic innovation, such as music creation for games and videos. Nonetheless, machine learning architectures face numerous challenges when learning musical structures from arbitrary corpora. This issue involves adapting patterns borrowed from other contexts to a concrete composition objective. Using Labeled Correlation Alignment (LCA), we propose an approach to sonify neural responses to affective music-listening data, identifying the brain features that are most congruent with the simultaneously extracted auditory features. For dealing with inter/intra-subject variability, a combination of Phase Locking Value and Gaussian Functional Connectivity is employed. The proposed two-step LCA approach embraces a separate coupling stage of input features to a set of emotion label sets using Centered Kernel Alignment. This step is followed by canonical correlation analysis to select multimodal representations with higher relationships. LCA enables physiological explanation by adding a backward transformation to estimate the matching contribution of each extracted brain neural feature set. Correlation estimates and partition quality represent performance measures. The evaluation uses a Vector Quantized Variational AutoEncoder to create an acoustic envelope from the tested Affective Music-Listening database. Validation results demonstrate the ability of the developed LCA approach to generate low-level music based on neural activity elicited by emotions while maintaining the ability to distinguish between the acoustic outputs.