Recent years have witnessed a surge in the popularity of attention mechanisms encoded within deep neural networks. Inspired by the selective attention in the visual cortex, artificial attention is designed to focus a neural network on the most task-relevant input signal. Many works claim that the attention mechanism offers an extra dimension of interpretability by explaining where the neural networks look. However, recent studies demonstrate that artificial attention maps do not always coincide with common intuition. In view of these conflicting evidence, here we make a systematic study on using artificial attention and human attention in neural network design. With three example computer vision tasks (i.e., salient object segmentation, video action recognition, and fine-grained image classification), diverse representative network backbones (i.e., AlexNet, VGGNet, ResNet) and famous architectures (i.e., Two-stream, FCN), corresponding real human gaze data, and systematically conducted large-scale quantitative studies, we offer novel insights into existing artificial attention mechanisms and give preliminary answers to several key questions related to human and artificial attention mechanisms. Our overall results demonstrate that human attention is capable of bench-marking the meaningful `ground-truth' in attention-driven tasks, where the more the artificial attention is close to the human attention, the better the performance; for higher-level vision tasks, it is case-by-case. We believe it would be advisable for attention-driven tasks to explicitly force a better alignment between artificial and human attention to boost the performance; such alignment would also benefit making the deep networks more transparent and explainable for higher-level computer vision tasks.

Video synopsis aims at providing condensed representations of video data sets that can be easily captured from digital cameras nowadays, especially for daily surveillance videos. Previous work in video synopsis usually moves active objects along the time axis, which inevitably causes collisions among the moving objects if compressed much. In this paper, we propose a novel approach for compact video synopsis using a unified spatiotemporal optimization. Our approach globally shifts moving objects in both spatial and temporal domains, which shifting objects temporally to reduce the length of the video and shifting colliding objects spatially to avoid visible collision artifacts. Furthermore, using a multilevel patch relocation (MPR) method, the moving space of the original video is expanded into a compact background based on environmental content to fit with the shifted objects. The shifted objects are finally composited with the expanded moving space to obtain the high-quality video synopsis, which is more condensed while remaining free of collision artifacts. Our experimental results have shown that the compact video synopsis we produced can be browsed quickly, preserves relative spatiotemporal relationships, and avoids motion collisions.

Stitching videos captured by hand-held mobile cameras can essentially enhance entertainment experience of ordinary users. However, such videos usually contain heavy shakiness and large parallax, which are challenging to stitch. In this paper, we propose a novel approach of video stitching and stabilization for videos captured by mobile devices. The main component of our method is a unified video stitching and stabilization optimization that computes stitching and stabilization simultaneously rather than does each one individually. In this way, we can obtain the best stitching and stabilization results relative to each other without any bias to one of them. To make the optimization robust, we propose a method to identify background of input videos, and also common background of them. This allows us to apply our optimization on background regions only, which is the key to handle large parallax problem. Since stitching relies on feature matches between input videos, and there inevitably exist false matches, we thus propose a method to distinguish between right and false matches, and encapsulate the false match elimination scheme and our optimization into a loop, to prevent the optimization from being affected by bad feature matches. We test the proposed approach on videos that are causally captured by smartphones when walking along busy streets, and use stitching and stability scores to evaluate the produced panoramic videos quantitatively. Experiments on a diverse of examples show that our results are much better than (challenging cases) or at least on par with (simple cases) the results of previous approaches.

Underexposed video enhancement aims at revealing hidden details that are barely noticeable in LDR video frames with noise. Previous work typically relies on a single heuristic tone mapping curve to expand the dynamic range, which inevitably leads to uneven exposure and visual artifacts. In this paper, we present a novel approach for underexposed video enhancement using an efficient perception-driven progressive fusion. For an input underexposed video, we first remap each video frame using a series of tentative tone mapping curves to generate an multi-exposure image sequence that contains different exposed versions of the original video frame. Guided by some visual perception quality measures encoding the desirable exposed appearance, we locate all the best exposed regions from multi-exposure image sequences and then integrate them into a well-exposed video in a temporally consistent manner. Finally, we further perform an effective texture-preserving spatio-temporal filtering on this well-exposed video to obtain a high-quality noise-free result. Experimental results have shown that the enhanced video exhibits uniform exposure, brings out noticeable details, preserves temporal coherence, and avoids visual artifacts. Besides, we demonstrate applications of our approach to a set of problems including video dehazing, video denoising and HDR video reconstruction.

We present a method for synopsizing multiple videos captured by a set of surveillance cameras with some overlapped field-of-views. Currently, object-based approaches that directly shift objects along the time axis are already able to compute compact synopsis results for multiple surveillance videos. The challenge is how to present the multiple synopsis results in a more compact and understandable way. Previous approaches show them side by side on the screen, which however is difficult for user to comprehend. In this paper, we solve the problem by joint object-shifting and camera view-switching. Firstly, we synchronize the input videos, and group the same object in different videos together. Then we shift the groups of objects along the time axis to obtain multiple synopsis videos. Instead of showing them simultaneously, we just show one of them at each time, and allow to switch among the views of different synopsis videos. In this view switching way, we obtain just a single synopsis results consisting of content from all the input videos, which is much easier for user to follow and understand. To obtain the best synopsis result, we construct a simultaneous object-shifting and view-switching optimization framework instead of solving them separately. We also present an alternative optimization strategy composed of graph cuts and dynamic programming to solve the unified optimization. Experiments demonstrate that our single synopsis video generated from multiple input videos is compact, complete, and easy to understand.