National Forest Villages in China are village types with significant environmental resources and cultural landscapes that play a vital role in ecological conservation, tourism development, territorial planning, and other elements. Understanding tourists’ landscape perception preferences is important to the long-term development of their landscape systems. Using Xidi village from the second batch of National Forest Villages as a research case, we gathered the evaluation digital footprints of visitors to the village with Python (version 3.12.0) and then used the ROST CM6 software and the semantic network analysis method to sort out the general characteristics of visitors’ perceptions of the village’s landscape. Finally, we constructed a multidimensional landscape perception model by studying precise details of passengers’ views of Xidi village on four dimensions: natural landscape, humanistic landscape, landscape environmental atmosphere, and emotional state. The findings show that travelers’ perceptions of Xidi village’s landscape primarily focus on scenery, architecture, and culture, with the humanistic landscape having the strongest degree of perception, the landscape environment atmosphere having the middle degree of perception, and the natural landscape having a weaker degree of perception. Most travelers have positive emotions, and commercialization and homogenization are negative factors that trigger negative emotions. The optimization recommendations for Xidi village’s landscape system are then offered in light of the study’s findings.

At the end of the Qing Dynasty and the beginning of the Republic of China, the Jishang (China Hebei Businessman) money stamps played an important role in economic activities, and at the same time carried deep cultural connotations and symbols of faith. The design incorporates traditional elements, contains expressions of psychosocial needs and religious beliefs, and reflects the unique understanding of power, well-being and cultural values at that time. In this paper, we use the method of iconography to place the Jishang money stamps in a specific historical and cultural context, and explore the compositional factors and cultural roots of their design from the three levels of form, content and symbolism. It is found that while carrying decorative functions, the design of money stamps also maps the profound influence of social concepts and belief systems on commercial culture. It is hoped that this study will provide new perspectives for exploring the artistic value and cultural significance of money stamp motifs.