We introduce an effective technique to enhance the images captured underwater and degraded due to the medium scattering and absorption. Our method is a single image approach that does not require specialized hardware or knowledge about the underwater conditions or scene structure. It builds on the blending of two images that are directly derived from a color-compensated and white-balanced version of the original degraded image. The two images to fusion, as well as their associated weight maps, are defined to promote the transfer of edges and color contrast to the output image. To avoid that the sharp weight map transitions create artifacts in the low frequency components of the reconstructed image, we also adapt a multiscale fusion strategy. Our extensive qualitative and quantitative evaluation reveals that our enhanced images and videos are characterized by better exposedness of the dark regions, improved global contrast, and edges sharpness. Our validation also proves that our algorithm is reasonably independent of the camera settings, and improves the accuracy of several image processing applications, such as image segmentation and keypoint matching.

This article introduces a novel solution to improve image enhancement in terms of color appearance. Our approach, called Color Channel Compensation (3C), overcomes artifacts resulting from the severely non-uniform color spectrum distribution encountered in images captured under hazy night-time conditions, underwater, or under non-uniform artificial illumination. Our solution is founded on the observation that, under such adverse conditions, the information contained in at least one color channel is close to completely lost, making the traditional enhancing techniques subject to noise and color shifting. In those cases, our pre-processing method proposes to reconstruct the lost channel based on the opponent color channel. Our algorithm subtracts a local mean from each opponent color pixel. Thereby, it partly recovers the lost color from the two colors (red-green or blue-yellow) involved in the opponent color channel. The proposed approach, whilst simple, is shown to consistently improve the outcome of conventional restoration methods. To prove the utility of our 3C operator, we provide an extensive qualitative and quantitative evaluation for white balancing, image dehazing, and underwater enhancement applications.

In this letter we introduce a simple but effective concept, Color Channel Transfer (CCT), that is able to substantially improve the performance of various dehazing techniques. CCT is motivated by a key observation: in scattering media the information from at least one color channel presents high attenuation. To compensate for the loss of information in one color channel, CCT employs a color-transfer strategy and operates in a color opponent space that helps to compensate automatically the chromatic loss. The reference is computed by combining the details and saliency of the initial image with uniform gray image that assures a balanced chromatic distribution. The extensive qualitative and quantitative experiments demonstrate the utility of CCT as a preprocessing step for various dehazing problems such as day-time dehazing, night-time dehazing, and underwater image dehazing.