Souvenirs can facilitate the dissemination and promotion of culture, and culture gives souvenirs unique characteristics and cultural connotations. With the increasingly competitive academic environment, an in-depth understanding of the relationship between souvenirs and local culture is crucial to the theory and practice of souvenir and local culture-development research. The main purpose of this study is to review the previous literature that articulates the dynamic relationship of interdependence and development between souvenirs and local culture. Based on a systematic literature review, the data for this study came from a review of 35 documents between 2019 and 2024. The documents were then analysed individually using the ATLAS.ti 24 program. The analysis revealed five central themes: (1) sustainability and innovation; (2) authenticity and experience; (3) economic and community impact; (4) cultural identity expression; and (5) consumer behaviour and technology. These themes illuminate that souvenirs are not only cultural ambassadors, but also play a critical role in economic development, cultural preservation, and consumer engagement. The findings provide new directions for future research and actionable insights for practitioners, researchers, and designers who enhance the sustainability of local culture through souvenirs. This review contributes to a deeper understanding of the dynamic interactions between souvenirs and local cultures and proposes a framework for the sustainable development of souvenirs.

This study investigates the relationship between architectural colour and cultural identity in the ancient villages of Hebei Province, emphasising the role of colour in cultural heritage preservation and sustainable development. The research aims to (1) identify the dominant chromatic attributes of Hebei’s village architecture, (2) interpret their cultural and symbolic meanings, and (3) construct a colour model applicable to heritage conservation. A qualitative case study approach was employed across four representative villages, combining field surveys, semi-structured interviews, and digital colour analysis using the COLORO system. The findings reveal that the prevailing hues—ranging from red and yellow to ochre and brown—derive from local stone and timber, embodying values of stability, humility, and harmony with the environment. Decorative elements in bright red and gold signify celebration and community vitality, contrasting with the subdued architectural tones. Integrating these empirical and cultural insights, this study proposes the Colour Symbol System for Hebei Ancient Villages (CSSHAV)—a model that unites quantitative colour parameters with qualitative cultural interpretation. The CSSHAV serves as a practical framework for guiding colour conservation, policy development, and sustainable design in rural heritage contexts. The originality of this study lies in bridging scientific colour measurement with cultural semiotics, providing both theoretical advancement and actionable guidance for the preservation of regional chromatic identity. The findings identify increasing risks of colour homogenisation under the pressures of globalisation. Through the CSSHAV model, it proposes strategies to preserve Hebei’s traditional chromatic identity by integrating digital colour analysis with cultural interpretation. This balance between conservation and innovation contributes to sustaining both the aesthetic integrity and cultural vitality of ancient villages.

This preliminary study aims to introduce User Experience (UX) and User Interface (UI) as a new recipe that could be implemented in academic culture to make sure the adaptation human and technology will be more effective and improve the creative industry. This study uses a survey questionnaire on purposive sampling to investigate the knowledge perception of 30 design practitioners and structured interview of 9 random samplings to know their perspectives. This study concluded that 60% of design practitioners realize the needs of this new approach, while the interview leads to the three main themes: acceptance level, vitality awareness and tendency expectation. Keywords: Design Emotion, User Experience, User Interface, Academic Culture, Creative Industries eISSN: 2398-4287© 2020. The Authors. Published for AMER ABRA cE-Bs by e-International Publishing House, Ltd., UK. This is an open access article under the CC BYNC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer–review under responsibility of AMER (Association of Malaysian Environment-Behaviour Researchers), ABRA (Association of Behavioural Researchers on Asians) and cE-Bs (Centre for Environment-Behaviour Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia. DOI: https://doi.org/10.21834/ebpj.v5iSI3.2551

HRMARS is well established journal publisher based in Pakistan. It is publishing prominent journals in social sciences since 2011.

HRMARS is well established journal publisher based in Pakistan. It is publishing prominent journals in social sciences since 2011.