This study analyzes a lacquered ear cup excavated from the Luobowan tomb complex in Guigang, Guangxi, attributed to the Nanyue Kingdom of the early Han dynasty. A range of analytical techniques, including optical microscopy (OM), scanning electron microscopy with energy-dispersive X-ray spectroscopy (SEM-EDS), pyrolysis–gas chromatography–mass spectrometry (Py-GC-MS), Fourier transform infrared spectroscopy (FT-IR), and X-ray diffraction (XRD), were employed to investigate the structural layers, material composition, and preservation state of the artifact. The lacquerware consists of four traditional layers: a wooden core, fabric reinforcement, lacquer ground, and lacquer film, reflecting Central Plains lacquerware techniques. The wooden core was identified as Phoebe sp., and the fabric layer is likely hemp, though fiber degradation limited exact identification. The lacquer ground layer contains natural lacquer mixed with SiO₂ from brick or tile powder. The lacquer film is a blend of Chinese and Vietnamese lacquer, with no synthetic additives or plant oils detected. The red lacquer layer contains cinnabar (HgS) as a pigment, while the black lacquer uses carbon black. Differences in moisture content between the red and black lacquer films are attributed to variations in surface porosity and pigment characteristics. This research provides valuable insights into Nanyue lacquer technology and preservation challenges.

The Chengyang City (城阳城) site in Xinyang, Henan Province, China, was a significant northern military stronghold of the Chu state during the Warring States period (475/403–221 BCE). The lacquered armor unearthed from Tomb M18 provides critical material evidence for studying ancient military technology and lacquer craftsmanship. In this study, a comprehensive analytical approach combining ultra-depth optical microscopy, Fourier-transform infrared spectroscopy (FTIR), confocal micro-Raman spectroscopy, scanning electron microscopy coupled with energy-dispersive X-ray spectroscopy (SEM-EDS) and pyrolysis–gas chromatography/mass spectrometry (Py-GC/MS) were employed to systematically characterize the structural and compositional features of the armor samples. The results indicate that the armor was constructed with a leather substrate and lacked any lacquer ash layer, while the surface exhibited multiple layers of mixed laccol and urushiol-based lacquer coatings. Cinnabar (HgS) was identified as the primary red pigment, and no carbon black or iron-based blackening agents were detected in the dark lacquer layers. Notably, the presence of laccol suggests that such lacquer resources may have also been produced in mainland China, offering new perspectives on the prevailing view that associates laccol exclusively with “Vietnamese lacquer.” This study elucidates the technological characteristics of mid-Warring States period lacquered armor, provides scientific insights into ancient lacquering techniques, and contributes valuable data for the conservation and restoration of similar cultural heritage artifacts.