The collection of twelve bronze artifacts discovered in Xichuan provides invaluable historical insights into the Warring States period (476 BC to 221 BC) of ancient China. To investigate their fabrication techniques and current state of preservation, a comprehensive analysis was conducted using a metallographic microscope, a scanning electron microscope, and an electron spectrometer to examine the microstructure and elemental composition of the artifacts. The findings revealed that the copper content in these bronze artifacts varied between 41.82% and 87.95%, the tin content ranged from 6.79% to 46.88%, and the lead content was less than 28.96%. The microstructure exhibited an α-solid-solution dendritic-crystal-segregation structure, with a substantial amount of (α + δ) eutectic distributed in an island-like pattern. Lead was dispersed unevenly, appearing as small granules and large ellipsoids. The composition of these weapons aligned with their intended use, adhering to the manufacturing standards of traditional Chinese bronzes. However, their state of preservation was suboptimal, necessitating immediate protective measures. This study contributes physical evidence to the research on early Chinese bronze production and offers scientific guidance for the conservation and restoration of these bronze artifacts.

The carved lacquer horse-hoof-shaped box excavated from Yulin, Shaanxi Province, represents a typical example of lacquerware preservation in the arid environment of northern China, exhibiting multiple deterioration phenomena, including substrate deformation, lacquer film peeling, and pigment fading. To systematically analyze its structural composition and craftsmanship features, this study employed multiple analytical techniques, including ultra-depth microscopy, scanning electron microscopy with energy-dispersive X-ray spectroscopy (SEM-EDS), confocal laser micro-Raman spectroscopy (Raman), Fourier transform infrared spectroscopy (FT-IR), X-ray diffraction (XRD), and pyrolysis-gas chromatography/mass spectrometry (Py-GC/MS). Based on these analyses, a targeted conservation protocol was developed. Results revealed that the carved lacquer horse-hoof-shaped box has a wooden substrate structure, with the lacquer ash layer composed of mixed materials, including calcium carbonate (CaCO₃), quartz (SiO₂), and hydroxyapatite (Ca₁₀(PO₄)₆(OH)₂). The lacquer film layer contains Chinese lacquer and plant oils, with cinnabar applied as surface decoration. Based on these findings, a stratified reinforcement conservation strategy was proposed: under dynamic monitoring with optical fiber sensors and three-dimensional scanning, the wooden substrate was reinforced with moisture-curable polyurethane (MCPU), the lacquer ash layer was strengthened with acrylic emulsion (Primal AC33), aged areas were restored with nano calcium hydroxide (Ca(OH)₂) aqueous dispersion, and polyethylene glycol (PEG 400) poultice application was implemented to restore the flexibility of the lacquer film. This research significantly enhanced the integrity and stability of the carved lacquer horse-hoof-shaped box, providing practical evidence and technical references for the scientific conservation of lacquerware excavated from arid regions of northern China.

The Chengyang City (城阳城) site in Xinyang, Henan Province, China, was a significant northern military stronghold of the Chu state during the Warring States period (475/403–221 BCE). The lacquered armor unearthed from Tomb M18 provides critical material evidence for studying ancient military technology and lacquer craftsmanship. In this study, a comprehensive analytical approach combining ultra-depth optical microscopy, Fourier-transform infrared spectroscopy (FTIR), confocal micro-Raman spectroscopy, scanning electron microscopy coupled with energy-dispersive X-ray spectroscopy (SEM-EDS) and pyrolysis–gas chromatography/mass spectrometry (Py-GC/MS) were employed to systematically characterize the structural and compositional features of the armor samples. The results indicate that the armor was constructed with a leather substrate and lacked any lacquer ash layer, while the surface exhibited multiple layers of mixed laccol and urushiol-based lacquer coatings. Cinnabar (HgS) was identified as the primary red pigment, and no carbon black or iron-based blackening agents were detected in the dark lacquer layers. Notably, the presence of laccol suggests that such lacquer resources may have also been produced in mainland China, offering new perspectives on the prevailing view that associates laccol exclusively with “Vietnamese lacquer.” This study elucidates the technological characteristics of mid-Warring States period lacquered armor, provides scientific insights into ancient lacquering techniques, and contributes valuable data for the conservation and restoration of similar cultural heritage artifacts.