For centuries, music has been shared and remembered by two traditions: aural transmission and in the form of written documents normally called musical scores. Many of these scores exist in the form of unpublished manuscripts and hence they are in danger of being lost through the normal ravages of time. To preserve the music some form of typesetting or, ideally, a computer system that can automatically decode the symbolic images and create new scores is required. Programs analogous to optical character recognition systems called optical music recognition (OMR) systems have been under intensive development for many years. However, the results to date are far from ideal. Each of the proposed methods emphasizes different properties and therefore makes it difficult to effectively evaluate its competitive advantages. This article provides an overview of the literature concerning the automatic analysis of images of printed and handwritten musical scores. For self-containment and for the benefit of the reader, an introduction to OMR processing systems precedes the literature overview. The following study presents a reference scheme for any researcher wanting to compare new OMR algorithms against well-known ones.

Many musical works produced in the past are still currently available only as original manuscripts or as photocopies. The preservation of these works requires their digitalization and transformation into a machine-readable format. However, and despite the many research activities on optical music recognition (OMR), the results for handwritten musical scores are far from ideal. Each of the proposed methods lays the emphasis on different properties and therefore makes it difficult to evaluate the efficiency of a proposed method. We present in this article a comparative study of several recognition algorithms of music symbols. After a review of the most common procedures used in this context, their respective performances are compared using both real and synthetic scores. The database of scores was augmented with replicas of the existing patterns, transformed according to an elastic deformation technique. Such transformations aim to introduce invariances in the prediction with respect to the known variability in the symbols, particularly relevant on handwritten works. The following study and the adopted databases can constitute a reference scheme for any researcher who wants to confront a new OMR algorithm face to well-known ones.

The preservation of musical works produced in the past requires their digitalization and transformation into a machine-readable format. The processing of handwritten musical scores by computers remains far from ideal. One of the fundamental stages to carry out this task is the staff line detection. We investigate a general-purpose, knowledge-free method for the automatic detection of music staff lines based on a stable path approach. Lines affected by curvature, discontinuities, and inclination are robustly detected. Experimental results show that the proposed technique consistently outperforms well-established algorithms.

Facial expression recognition (FER) is currently one of the most active research topics due to its wide range of applications in the human-computer interaction field. An important part of the recent success of automatic FER was achieved thanks to the emergence of deep learning approaches. However, training deep networks for FER is still a very challenging task, since most of the available FER data sets are relatively small. Although transfer learning can partially alleviate the issue, the performance of deep models is still below of its full potential as deep features may contain redundant information from the pre-trained domain. Instead, we propose a novel end-to-end neural network architecture along with a well-designed loss function based on the strong prior knowledge that facial expressions are the result of the motions of some facial muscles and components. The loss function is defined to regularize the entire learning process so that the proposed neural network is able to explicitly learn expression-specific features. Experimental results demonstrate the effectiveness of the proposed model in both lab-controlled and wild environments. In particular, the proposed neural network provides quite promising results, outperforming in most cases the current state-of-the-art methods.

Sign Language Recognition (SLR) has become one of the most important research areas in the field of human computer interaction. SLR systems are meant to automatically translate sign language into text or speech, in order to reduce the communicational gap between deaf and hearing people. The aim of this paper is to exploit multimodal learning techniques for an accurate SLR, making use of data provided by Kinect and Leap Motion. In this regard, single-modality approaches as well as different multimodal methods, mainly based on convolutional neural networks, are proposed. Our main contribution is a novel multimodal end-to-end neural network that explicitly models private feature representations that are specific to each modality and shared feature representations that are similar between modalities. By imposing such regularization in the learning process, the underlying idea is to increase the discriminative ability of the learned features and, hence, improve the generalization capability of the model. Experimental results demonstrate that multimodal learning yields an overall improvement in the sign recognition performance. In particular, the novel neural network architecture outperforms the current state-of-the-art methods for the SLR task.