XUEHUI LI

Dr. XUEHUI LI

Graduate School of Design, National Yunlin University of Science and Technology, Douliou, YunLin, Taiwan

Research Focus & Metrics

Academic Career Length

9Years (2018-Present)

(Calculated once Scilit publication data is synced: current year − year of first publication + 1)

Representative Publications

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12 March 2020 in Sustainability
Verified
Journal Article
Open access
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Kuo-Kuang FanKuo-Kuang Fan
Kuo-Kuang Fan
XLXUEHUI LI
XUEHUI LI
MLMeng-Jia Lu
Meng-Jia Lu
This paper investigates the sustainable inheritance of contemporary lacquer art in the Guangzhou area. Based on the traditional teaching mode dominated by folk inheritance and university education, this paper develops the advantage of contemporary information technology and proposes the application of the e-learning mode to assist the popularization of lacquer art education in society, which plays a positive role in promoting the sustainable development of the lacquer art culture in Guangzhou. This study adopts literature analysis and the questionnaire survey method, and then integrates this learning mode into the lacquer art learning curriculum in primary schools. Finally, this paper summarizes and reflects on the teaching results, and presents the effective role of this model in promoting the teaching of lacquer art culture, which is of important practical significance for consolidating the sustainable development of contemporary lacquer art culture.

1 September 2020 in Religions
Verified
Journal Article
Open access
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Kuo-Kuang FanKuo-Kuang Fan
Kuo-Kuang Fan
XLXUEHUI LI
XUEHUI LI
The periods of the Ming and Qing dynasties featured prosperous socioeconomic development; the development of industrial, commercial, and manufacturing production; and active urban consumer behavior with great advocacy for the doctrines of Confucius and Mencius in the imperial court, and extensive promotion of refined elegance of benevolence, righteousness, ritual, and wisdom among the public. Under the influence of such an objective environment, lacquerware, as China’s most ancient traditional form of artwork, also functioned as significant historical evidence for the development of the urban handicraft industry. Assuming a social role between ritual items and daily items, the development of lacquer arts was closely bound up with Confucian ritual spirituality. Based on relevant cultural relic data and documents in the literature, this study takes lacquer as a mirror with regard to the progress of the trend of lacquer culture and lacquer art during the Ming and Qing dynasties as the clue, and analyzes the embodied features of lacquer art design function, modeling, and themes to discuss the influence of Confucian ritual spirituality on social consumption.

15 March 2018 in EURASIA Journal of Mathematics, Science and Technology Education
Verified
Journal Article
Open access
XLXUEHUI LI
XUEHUI LI
KFKuo-Kuang Fan
Kuo-Kuang Fan
MLMeng-Jia Lu
Meng-Jia Lu
Lacquer art is the essence of Chinese culture; however the teaching of lacquer art is unpopular due to the complicated production process. There is little opportunity for primary and secondary school students to access relevant knowledge, and this has resulted in a weak foundation of Chinese...