Portuguese archaeological excavations dated to the 17th century onwards are extremely rich in glass artefacts, with this being a reality from the north to the south of the territory. Contrasting with this reality, no glass production locations from this period have been discovered or excavated so far, which makes the provenance attribution a challenging endeavour. One specific archaeological location, the Monastery of Santa Clara-a-Velha in Coimbra, held one of the largest glass archaeological assemblages dated to the 17th century unearthed in Portugal so far. Due to the large variety of objects’ shapes, glass colours and decorative features, this assemblage is a valuable candidate to hold glass artefacts produced in Portugal. Lacking archaeological excavation on glass furnaces in Portugal, the study of glassmaking raw materials is the most promising research line to investigate the provenance of glass circulating in Portugal. In this study, sand and pebbles from six different locations in the north/centre of Portugal were collected and melted to produce glass samples. The resulting glass samples were chemically characterised using LA-ICP-MS, to obtain the composition of the samples in major, minor and trace elements. The obtained results were compared with the composition of 37 historical samples from the Monastery of Santa Clara-a-Velha previously studied. Additionally, the thermal properties of selected synthesised glasses were analysed by Differential Scanning Calorimetry, allowing new insights on melting temperatures and glass workability. Results indicate that three artefacts with stylistic features attributed to a Portuguese production were locally made with sands collected in Coimbra.

A set of 14 glass fragments and production remains dated to the 16th and 17th centuries was collected during rescue archaeological works conducted in Granada, Spain, and was characterised by µ-PIXE. This preliminary study constitutes the first analytical approach to glass manufacturing remains from a Spanish production dated to the early-modern period. µ-PIXE allowed for the quantification of major, minor and some trace elements of the glass fragments. It also allowed mapping the elemental distribution on the fragments that were identified as an interface of crucible/glass. This analysis constitutes an evaluation of the ionic exchange between glass and crucible. The glass colours vary from the natural green and blue hues to completely colourless samples. The results show that the majority of the glass samples are of soda-lime-silicate composition, and only one proved to be of a potassium-rich composition. From this, one can hypothesise that glass rich in sodium (following the Mediterranean tradition) and potassium-rich glass (following a central and north European tradition) were both locally produced. Since this location was known as la Calle Horno del Vidrio (Glass Furnace Street) and several production evidences were found, it is highly probable that an artisanal glass production existed in this area.

During an archaeological intervention that took place in Beja (southern Portugal), at Avenida Miguel Fernandes, between August 2003 and March 2004, a set of 137 silos was discovered. The excavation yielded an assemblage of glass that can be dated between the fourteenth and the seventeenth centuries. For this investigation only the fragments from the medieval contexts were considered in order to provide an overview of the use of glass vessels in a Portuguese town in the fourteenth and fifteenth centuries. A group of eleven medieval glass fragments was chemically characterised by means of µ-PIXE (particle-induced X-ray emission) and UV-vis reflectance spectroscopy. Analysis by µ-PIXE enabled the determination of the chemical composition, and UV-vis reflectance spectroscopy was used as a complementary technique to identify the metallic elements responsible for different colours observed in the glasses. Results showed that the analysed objects are in the majority made of a soda-lime silica glass, indicating a connection with the Mediterranean tradition. Cobalt and copper were the colorants used to obtain the blue and turquoise glasses, respectively, whereas iron is responsible for the green and yellow colours.