Jacob Thomas Cooper

Mr. Jacob Thomas Cooper

Department of Physics & Engineering Technology, University of York, York, UK
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orcid

Research Focus & Metrics

Academic Career Length

5Years (2022-Present)

(Calculated once Scilit publication data is synced: current year − year of first publication + 1)

Representative Publications

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6 June 2023 in Journal of the Audio Engineering Society
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Journal Article
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PCPatrick Cairns
Patrick Cairns
AHAnthony Hunt
Anthony Hunt
DJDaniel Johnston
Daniel Johnston
Jacob Thomas CooperJacob Thomas Cooper
Jacob Thomas Cooper
BLBen Lee
Ben Lee
GKGavin Kearney
Gavin Kearney
This paper details a case study evaluation of a recording experience in a networked XR simulation of the renowned BBC Maida Vale Recording Studios. The system allows multiple remote musicians to connect over a network, providing a shared virtual acoustic space, with interactive immersive audio, XR display, and low-latency throughput. A four-piece rock band used this system in a live recording session, performing under different latency and audio conditions. Technical setup and case study...

14 September 2022 in Acoustics
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Journal Article
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GKGavin Kearney
Gavin Kearney
HDHelena Daffern
Helena Daffern
PCPatrick Cairns
Patrick Cairns
AHAnthony Hunt
Anthony Hunt
BLBen Lee
Ben Lee
DJDaniel Johnston
Daniel Johnston
In this paper we present a complete acoustic survey of the British Broadcasting Corporation Maida Vale recording studios. The paper outlines a fast room acoustic measurement framework for capture of spatial impulse response measurements for use in three or six degrees of freedom Virtual Reality rendering. Binaural recordings from a KEMAR dummy head as well as higher order Ambisonic spatial room impulse response measurements taken using a higher order Ambisonic microphone are presented. An acoustic comparison of the studios is discussed, highlighting remarkable similarities across three of the recording spaces despite significant differences in geometry. Finally, a database of the measurements, housing the raw impulse response captures as well as processed spatial room impulse responses is presented.

18 July 2024 in Journal of the Audio Engineering Society
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Journal Article
Closed access
PCPatrick Cairns
Patrick Cairns
TRTomasz Rudzki
Tomasz Rudzki
Jacob Thomas CooperJacob Thomas Cooper
Jacob Thomas Cooper
AHAnthony Hunt
Anthony Hunt
KSKim Steele
Kim Steele
GKGavin Kearney
Gavin Kearney
At the 2023 AES International Conference on Spatial and Immersive Audio, a networked immersive audio concert was performed. A vocal octet connected over the Internet between York and Huddersfield and provided a performance that was auralized in the acoustics of BBC Maida Vale Studio 2. A live audience in Huddersfield experienced the concert with local singers on stage, remote singers auralized alongside, and virtual acoustics rendered on a multichannel array. Another audience in York listened to the concert on headphones. An evaluation of the networked concert experience of the performers and audience is presented in this paper. Results demonstrate that a generally high-quality experience was delivered. Audience response to immersive audio rating items demonstrates a variance in experience. Several aspects of the evaluation context are identified as relevant to this rating variance and discussed as open challenges for audio engineers.

15 August 2022
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Conference Paper
Closed access
Jacob Thomas CooperJacob Thomas Cooper
Jacob Thomas Cooper
GKGavin Kearney
Gavin Kearney
DJDan Johnston
Dan Johnston
HDHelena Daffern
Helena Daffern
PTPanos Tsagkarakis
Panos Tsagkarakis
PCPatrick Cairns
Patrick Cairns

23 August 2023
Verified
Conference Paper
Closed access
Jacob Thomas CooperJacob Thomas Cooper
Jacob Thomas Cooper
HDHelena Daffern
Helena Daffern
GKGavin Kearney
Gavin Kearney