Marco Malagodi

Prof. Marco Malagodi

University of Pavia
orcid

Research Focus & Metrics

Academic Career Length

16Years (2011-Present)

(Calculated once Scilit publication data is synced: current year − year of first publication + 1)

Representative Publications

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1 October 2018 in International Journal of Analytical Chemistry
Verified
Journal Article
Open access
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Claudia InvernizziClaudia Invernizzi
Claudia Invernizzi
Tommaso RovettaTommaso Rovetta
Tommaso Rovetta
MAURIZIO LICCHELLIMAURIZIO LICCHELLI
MAURIZIO LICCHELLI
Marco MalagodiMarco Malagodi
Marco Malagodi
This study presents mid and near-infrared (7500-375 cm−1) total reflection mode spectra of several natural organic materials used in artworks as binding media, consolidants, adhesives, or protective coatings. A novel approach to describe and interpret reflectance bands as well as calculated absorbance after Kramers-Kronig transformation (KKT) is proposed. Transflection mode spectra have represented a valuable support both to study the distorted reflectance bands and to validate the applicability and usefulness of the KK correction. The aim of this paper is to make available to scientists and conservators a comprehensive infrared reflection spectral database, together with its detailed interpretation, as a tool for the noninvasive identification of proteins, lipids, polysaccharides, and resins by means of portable noncontact FTIR spectrometers.

1 May 2018 in Microchemical Journal
Verified
Journal Article
Closed access
Claudia InvernizziClaudia Invernizzi
Claudia Invernizzi
GFGiusj Valentina Fichera
Giusj Valentina Fichera
MAURIZIO LICCHELLIMAURIZIO LICCHELLI
MAURIZIO LICCHELLI
Marco MalagodiMarco Malagodi
Marco Malagodi

2 May 2019 in Journal of Nanomaterials
Verified
Journal Article
Open access
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Maduka Lankani WeththimuniMaduka Lankani Weththimuni
Maduka Lankani Weththimuni
DCDoretta Capsoni
Doretta Capsoni
Marco MalagodiMarco Malagodi
Marco Malagodi
MAURIZIO LICCHELLIMAURIZIO LICCHELLI
MAURIZIO LICCHELLI
In this study, the maple wood surface was coated with nanostructured zinc oxide, grown on the surface by using a hydrothermal process, and furtherly treated with shellac varnish. Samples obtained both after ZnO treatment and after the final varnish application were characterized by different techniques, i.e., X-ray diffraction (XRD), scanning electron microscopy combined with energy-dispersive X-ray spectroscopy (SEM-EDS), micro-FTIR with attenuated total reflectance (μ-ATR-FTIR), chromatic variation measurements, and contact angle determinations. Analytical results showed that the wood surface was covered by quite a homogeneous array of inorganic nanoparticles and that the natural resin forms a regular film over the ZnO nanostructures. An accelerated aging test was used to evaluate the protecting effectiveness of the treatments towards UV-induced decay of wood material. After the test, wood treated with ZnO and with the shellac/ZnO combination underwent a considerably lower chromatic change if compared to the untreated wood, suggesting an enhanced resistance of the treated maple to the decay due to light exposition. The presence of nanostructured ZnO protects from decay not only the wood substrate but also the shellac film. A microbiology test showed that growth of fungal species, e.g., common mold, is prevented on the wood surface treated with ZnO or with shellac/ZnO, indicating that the nanostructured zinc oxide also provides an effective protection from biodeterioration. The coating obtained by consecutive application of nanosized ZnO particles and shellac varnish combines the excellent aesthetical features and water repellence of the traditional finish with the protecting effectiveness of the nanostructured inorganic component.

14 May 2016 in Wood Science and Technology
Verified
Journal Article
Closed access
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CCClaudio Canevari
Claudio Canevari
MDMarica Delorenzi
Marica Delorenzi
Claudia InvernizziClaudia Invernizzi
Claudia Invernizzi
MAURIZIO LICCHELLIMAURIZIO LICCHELLI
MAURIZIO LICCHELLI
Marco MalagodiMarco Malagodi
Marco Malagodi
Maduka Lankani WeththimuniMaduka Lankani Weththimuni
Maduka Lankani Weththimuni

4 April 2021 in Coatings
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Journal Article
Open access
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Maduka Lankani WeththimuniMaduka Lankani Weththimuni
Maduka Lankani Weththimuni
Chiara MilaneseChiara Milanese
Chiara Milanese
MAURIZIO LICCHELLIMAURIZIO LICCHELLI
MAURIZIO LICCHELLI
Marco MalagodiMarco Malagodi
Marco Malagodi
Shellac is a natural varnish still known as one of the most elegant finishes for furniture and musical instruments, and currently used for restoration and refinishing of wooden antiques. However, it displays some limitations such as (i) sensitivity to alcoholic solvents (ii) softness of the coating, and (iii) considerable weathering due to photo- and bio-degradation. Hence, the main aim of this study was to improve the properties of shellac-based finish by introducing functionalized nanoparticles. Two inorganic nano-sized materials were considered: ZnO that was expected to reduce photo- and bio-degradation problems, and ZrO2 that was expected to improve the hardness of the varnish. Nanoparticles were synthesized and treated with a bifunctional silane coupling agent. Both plain and functionalized nanoparticles were extensively characterized using different experimental techniques. Functionalized nanoparticles were grafted on shellac through a reaction involving the epoxy-rings introduced on their surface. The resulting modified varnishes were applied on maple wood specimens according to traditional procedures. Different instrumental techniques and testing methods were used to characterize both nano-sized materials and the corresponding nanocomposites, as well as to evaluate the performance of the new coatings. The investigated composite materials display the same aesthetic appearance as plain shellac, while some other properties were improved. In particular, both nanocomposites are distinctly less soluble in alcohols than plain shellac and display antifungal properties. Moreover, coating containing functionalized ZnO nanoparticles displays photo-protection behavior, while shellac modified with ZrO2 nanoparticles exhibits a higher hardness when compared to the traditional varnish.

13 July 2017 in Applied Spectroscopy
Verified
Journal Article
Closed access
Giacomo FioccoGiacomo Fiocco
Giacomo Fiocco
Tommaso RovettaTommaso Rovetta
Tommaso Rovetta
MGMonica Gulmini
Monica Gulmini
APAnna Piccirillo
Anna Piccirillo
MAURIZIO LICCHELLIMAURIZIO LICCHELLI
MAURIZIO LICCHELLI
Marco MalagodiMarco Malagodi
Marco Malagodi
Historical bowed string instruments exhibit acoustic features and aesthetic appeal that are still considered inimitable. These characteristics seem to be in large part determined by the materials used in the ground and varnishing treatments after the assembly of the instrument. These finishing processes were kept secret by the violinmakers and the traditional methods were handed down orally from master craftsmen to apprentices. Today, the methods of the past can represent a secret to be revealed through scientific investigations. The “Cremonese” methods used in the 17th and 18th centuries were lost as the last Great Masters from the Amati, Guarneri, and Stradivari families passed away. In this study, we had the chance of combining noninvasive and microinvasive techniques on six fragments of historical musical instruments. The fragments were detached from different instruments during extraordinary maintenance and restoration treatments, which involved the substitution of severely damaged structural parts like top plates, back plates, or ribs. Therefore, the fragments can offer to the scientists a valuable overview on the materials and techniques used by the violinmakers. The results obtained by portable X-ray fluorescence, optical microscopy, scanning electron microscopy coupled with energy dispersive X-ray spectrometry, and Fourier transform infrared microscopy allowed us to: (1) determine the stratigraphy of six instruments; (2) obtain new information about the materials involved in the finishing processes employed in Cremona; and (3) elucidate the technological relationship among the procedures adopted in the violin making workshops during the considered period.