The European Synchrotron Radiation Facility (ESRF) has recently commissioned the new Extremely Brilliant Source (EBS). The gain in brightness as well as the continuous development of beamline instruments boosts the beamline performances, in particular in terms of accelerated data acquisition. This has motivated the development of new access modes as an alternative to standard proposals for access to beamtime, in particular via the “block allocation group” (BAG) mode. Here, we present the recently implemented “historical materials BAG”: a community proposal giving to 10 European institutes the opportunity for guaranteed beamtime at two X-ray powder diffraction (XRPD) beamlines—ID13, for 2D high lateral resolution XRPD mapping, and ID22 for high angular resolution XRPD bulk analyses—with a particular focus on applications to cultural heritage. The capabilities offered by these instruments, the specific hardware and software developments to facilitate and speed-up data acquisition and data processing are detailed, and the first results from this new access are illustrated with recent applications to pigments, paintings, ceramics and wood.

The impact of lichens on the conservation of monuments, such as the World Heritage Site (WHS) of Cappadocian churches, presents a multifaceted challenge for conservators. Previous studies have shown that lichens can both induce deterioration processes of stone through their penetration into the substrate and chemical interactions as well as provide bioprotection, forming encrustations including calcium oxalate layers, which help mitigating the effects of weathering, reducing water penetration and eolian erosion. Evaluating the impact of lichens requires a comprehensive understanding of various factors, which include the type of rock substrate, the colonizing lichen species, the monument architecture, and the prevailing physic-chemical weathering processes. This study aims to provide a comprehensive analysis of the impact of lichen colonization on Saint Simeon Church in the Paşabağı Valley (Turkey) with a multidisciplinary approach to investigate the interplay between lichens, microclimatic conditions, and the degradation of stone. Specifically, this study examines the influence of wind-driven rain (WDR) occurrences on lichen distribution and stone weathering to develop comprehensive conservation strategies. The results confirmed the previous observations and showed a prevalence of the protective role of lichens over their deterioration. The northwest side of the church, despite being heavily impacted by environmental factors such as WDR and freezing–thawing cycles, showed reduced deterioration due to extensive lichen coverage. In contrast, the northeast side, with lower lichen colonization, demonstrated more severe deterioration. These findings suggest that integrating the protective aspects of lichen colonization into conservation strategies can enhance their preservation.

Since 2004, scientific research on the damaged Giant Buddha statues and Buddhist paintings in Bamiyan, Afghanistan, has been conducted at various laboratories and large-scale facilities using mass-spectrometry techniques (GC-MS, LC-MS, LC-MS/MS, nano-LC/ESI-MS/MS), ELISA, and synchrotron-based micro-analyses) in parallel to conservation intervention. Studies on samples from these cultural heritage objects have shown that each is composed of a polychromatic multilayered structure with sizing layers, ground layers, painted layers, and glaze. The carefully produced complex multilayered structures were examined using optical microscopy (visible and UV light) as well as synchrotron-based infrared microscopy, both of which revealed various organic and inorganic components in each layer. High sensitivity bulk MS and ELISA methods were used to further identify details regarding organic materials, such as fatty acids and collagens, and these results suggest different vegetable oils and animal species of glues. For example, cow milk casein and cow skin glue were identified in the Eastern Giant Buddha, suggesting that casein was used as a sizing agent and the cow skin glue as a binder for painting. The wall paintings from Cave N(a) (mid-7th century AD) were found to have horse glue used as sizing and drying oil (poppyseed/walnuts/perilla oils) as a binding media. The paintings’ complex structures and their organic and inorganic materials were fully understood using both imaging and bulk methods, and thus, these methods help to reconstruct historical wall painting techniques in full.

Although Bamiyan wall paintings were mostly physically destroyed during the internal conflict, as well as two Giant Buddhas, the remained pieces still hold extensive academic information and values on constituent materials, technologies of creation, original colours, and chronological data with ¹⁴C. In the process of conservation project led by UNESCO and NRICPT, Japan, scientific analyses on wall paintings have revealed that Bamiyan’s wall paintings incorporate various organic materials such as multiple painting layers such as a proteinous sizing above earthen renders, white ground, optically designed colouring order, and then a glaze. Interestingly, we found drying oils, lead soap, and natural resins from particular group of wall paintings, which appeared in the mid-seventh century. Bamiyan is not dead; it continues to live as a city with innumerable markings of how it once flourished. At present, there are no practicing Buddhists and no spaces for the practice of Buddhism remaining in the Bamiyan site. However, the Bamiyan site is full of new findings as above. We believe that new knowledge from the original works has acted as an important key for enhancing the interest of local residents in their heritage and for forging a unity of their own.