Michał Parchimowicz

Mr. Michał Parchimowicz

orcid

Research Focus & Metrics

Academic Career Length

4Years (2023-Present)

(Calculated once Scilit publication data is synced: current year − year of first publication + 1)

Representative Publications

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30 May 2023 in Arts
Verified
Journal Article
Open access
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EPElzbieta Perzycka-Borowska
Elzbieta Perzycka-Borowska
MGMarta Gliniecka
Marta Gliniecka
KKKalina Kukielko-Rogozinska
Kalina Kukielko-Rogozinska
MPMichał Parchimowicz
Michał Parchimowicz
Exploring the role of public art in conveying complex socio-political messages, this article investigates the multifaceted socio-educational impact of 32 murals representing the war in Ukraine, located in Jasień Railway Station, Gdansk, Poland. Employing an interdisciplinary research approach, the study combines critical theory and visual communication methodologies to uncover the deeper messages conveyed by these thought-provoking murals. The analysis encompasses six diverse perspectives—historical, personal, ethical, cultural, technical, and critical—leading to the identification of six distinct mural categories: (1) resistance and hope, (2) family and courage, (3) suffering and death, (4) torturers and the oppressed, (5) animals, and (6) idyllic. The study underscores the significance of murals as a public art form for symbolically communicating social, cultural, and political events while introducing novel interpretations and expanding visual communication possibilities. Furthermore, this research demonstrates the potential of interdisciplinary approaches in exploring the intricate relationships between public art and the messages they convey, showcasing their capacity to shape public opinion and foster dialogue.

25 June 2025 in Arts
Verified
Journal Article
Open access
PDF file
ACAleksander Cywiński
Aleksander Cywiński
MPMichał Parchimowicz
Michał Parchimowicz
The article analyzes the meanings embedded in street art in Florence that portrays women, likely created by female artists. Between 18 May and 27 May 2024, during the Communities and Artistic Participation in Hybrid Environment (CAPHE) project, we observed a significant number of feminist street art pieces in Florence’s historic center. Using qualitative content analysis based on Gillian Rose’s methodology (2016), we interpreted the collected visual materials through semiotic and socio-cultural lenses. The findings revealed the deliberately interventionist nature of the analyzed works, addressing themes such as gender inequality, human rights, violence against women, and cultural stereotypes. This street art serves as a social manifesto and a means of activating both the local community and tourists, aligning with global feminist discourse while addressing Florence’s local issues. We conclude that Florence’s street art provides a space for visual resistance, education, and the promotion of gender equality and women’s emancipation in the context of contemporary social challenges.